Archive for the ‘All’ Category

If Fox cancels Almost Human…

Posted: February 17, 2014 by MichaelSmithNC in All, TV

I might just have to riot.

Fox Is Airing Episodes of ALMOST HUMAN Out of Order?! http://zite.to/1kPvdSC

Todd-Glass

Bio courtesy Comedy Central

Solidly ensconced in the 30-40 demographic, comedian Todd Glass may now be considered ineligible to be labeled a wunderkind — but he certainly was one, having launched his career in comedy at age 16. Since that precocious start, the Philadelphia native has developed into a polished performer with a bent for inventive material that often mocks the conventions of standup.

Todd’s comedy is often satirical, sometimes irreverent but always funny. His television appearances are many, including performances on “The Sarah Silverman Show,” “Jimmy Kimmel Live,” “Late Night with Conan O?Brien,” “Showbiz Show with David Spade,” “Tough Crowd with Colin Quinn” and “Politically Incorrect.” With his unique delivery and divergent style of witticisms, Todd quickly becomes a host and viewer favorite.

This weekend Goodnight’s Comedy Club in Raleigh will play host to the nationally regarded funnyman, Todd Glass. You have seen him on all of the late night talk shows and on the occasional episode of Tosh.0. Todd will perform 5 shows starting Thursday and wrapping up Saturday night.

MAS – I recently took the opportunity to go on to Netflix and watch your comedy special. I was really impressed; I really like your comedic style. I have seen you on Tosh.0 and other stuff like that, but that is a little different. Where does your style come from, how did you develop that?

Todd Glass – I guess for everybody it is a little different. For me, I guess, the more you do comedy hopefully you start talking about things that mean something to you. It doesn’t have to be social or political, although it could be. It could be, also, anything that means something to you. It’s just something personal. Maybe that is the best way to put, something personal.  Personal has a wide array… it’s wide as to what personal means.

I always use the example of, because it helped me when I was starting comedy, Steve Martin. He talked about something personal, even though it was silliness. It was something that was personal to him, this very unique silliness. It wasn’t a formulaic generic silliness that he tapped into, it was something personal. I think that is where it comes from, hopefully.

MAS – You mentioned Steve Martin, what other comedians have you looked to for guidance, who has molded you?

Todd Glass – Indirectly, probably a lot of comedians. Mostly, the things is, comedians that I always say, make me want to punch somebody that is sitting next to me or punch a wall because you are laughing so hard. They are the ones I tend to… Over the years, whether it’s comedians in my generation… Legends, like Rodney or Don Rickles guys in sort of my camp whether it is Brian Regan… I’m a big Eddie Pepitone fan. I tend to watch guys that make me want to punch somebody because I am laughing so hard. Those are that guys that probably make you.

MAS – From your style of comedy, and from the material you used in your special, you are not afraid to tackle some of the more politically incorrect issues all for a little social commentary, if not satire. I have seen you do it in a way that isn’t necessarily family friendly, but also not your typical R Rated comedy. You seem to have found success in your shows with tackling these issues while keeping your show as clean as it is.

Todd Glass – I don’t give people anybody credit for being clean; I give people credit for being funny. So, it is probably just naturally what I talk about, but I never want to make it sound like, “That’s the best way to do it.” Obviously, it’s hard to be fucking hilarious whether it’s clean or what we perceive to be blue. We see a lot of comedians that use language, not at its best. But I’ve seen guys with not one curse in their act that use suck and blow and others. There are tools, there are clean tricks too; they are both offensive to me. I really don’t ever give anybody credit…

I give people credit for just finding a way to be unique and funny. If you give people extra credit, if you go, “and plus your clean and that’s the hardest.” No it’s not. You are sort of saying, “Richard Pryor and George Carlin are funny alright, but you gotta admit they took the easier path”; of course not!  It is sort of just who I am.

MAS – Let me put my question into better context. I have done several interviews with various comedians. I have interviewed comedians that actually bill themselves as family friendly comedy. I have also interviewed comedians that are the polar opposite to that. Both styles can lead one to being a very successful comedian. I am in no position to say who has it easier and who has it harder but, those two styles are so dramatically different you have to appreciate a comic that has chosen to do things that way. Why did they choose to do things that way?

Todd Glass – If they are a good comedian, they didn’t choose it. Maybe, it is just who they are. It’s like people that don’t do comedy, they might not choose to be who they are, but it is part of who they are. So I think it is just representing what makes them laugh, if you are doing it right. I think whenever you decide to please an audience, and give them what they want; it is probably a sure sign if you are not really enjoying yourself onstage.

It’s like if you were doing artwork and you were painting and I ask, “What do you do?”  You answer, “Well, I try to figure out what people like, and then I paint it.” Well, is that fun?

MAS – I am hearing that you like to do what pleases you and if somebody else finds it funny, great.

Todd Glass – I do want to make a living doing this, but I think the ultimate goal is go onstage each night and express what is in your heart and what you feel and at the same time you find an audience that appreciates it.

The Todd Glass Show – Podcast
Follow on Twitter @ToddGlass
Facebook Todd Glass Show

Coming Soon: Movies In Theatres This Week

Posted: February 17, 2014 by MichaelSmithNC in All, Movies, Trailers
Tags: , ,

Pompeii

3 Days to Kill

stephen_marley_1

StephenM_Album1

Greenfield Lake Amphitheater

Wilmington, NC

April 15, 2014

The second son of Bob Marley and Rita Marley, Stephen was born on April 20, 1972; he began his career as a precocious six-year old singing, dancing and playing percussion with his siblings in the group The Melody Makers whose first single “Children Playing In The Streets” was produced by their father in 1979 and released on Tuff Gong, the label founded by Bob in the late 60s. Just like his older brother Ziggy, Stephen acquired his initial studio skills by watching his father. While still a teenager he assisted in the production of The Melody Makers’ albums including their three Best Reggae Album Grammy winners “Conscious Party” (Virgin Records, 1989) “One Bright Day” (Virgin Records, 1990) and “Fallen Is Babylon” (Elektra Entertainment, 1998). In 1993 Ziggy and Stephen founded Ghetto Youths International as a means of controlling their own music and helping upcoming artists. Stephen’s earliest solo production efforts for Ghetto Youths International includes his late grandmother’s (Cedella Booker) album “My Altar”, followed in 1995 by the Ziggy Marley and The Melody Makers single “Works To Do” and younger brother Damian’s “10,000 Chariots”. Both singles hit the Jamaican charts and generated much excitement surrounding Stephen’s burgeoning production expertise.
In 1996 Damian released his debut album “Mr. Marley”, on the Ghetto Youths imprint, with distribution in the U.S. by Tuff Gong/Lightyear. Stephen played several instruments and wrote most of the songs in addition to producing “Mr. Marley”.

Tickets: HERE

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About Last Night

Rated R

for sexual content, language and brief drug use

Bernie and Danny are the best of friends, but total opposites in many ways. They have completely different takes on relationships and how to maneuver the complicated world of sex and dating. Joan and Debbie are roommates that appear to share the same dynamic as their counterparts, Danny and Bernie. Bernie and Joan meet at a bar an end up sharing a sexually torrid night that ends up being the first of many. When Bernie and Joan bring along their friends, Danny and Debbie, to meet on their first real date the two couples are formed and the two different styles of relationships are put on full display. Bernie and Joan antagonize each other, relentlessly. Danny and Debbie attempt to pursue the more traditional route of building a relationship.

About Last Night is the modern retelling of the 1986 film of the same name. Both movies are adaptations of the David Mamet play Sexual Perversity in Chicago. David Hart takes on the comedic role of Bernie while Michael Ealy plays the more serious Danny. Regina Hall is Hart’s hilarious counterpart as Joan with Joy Bryant rounding out the cast as Debbie.

Kevin Hart and Regina Hall are the backbone of this movie; their comedic chemistry is a joy to watch. Almost every scene with the two of them is pure comedic gold. While their relationship is not meant to be the centerpiece of the movie, Hart and Hall make their character’s story more than just added depth. As you watch Hart and Hall verbally abuse one another you can’t help but laugh and think about the couples you know that share those same characteristics. As the story progresses you find yourself hoping Bernie and Joan can find a way to make their dynamic work, just to be different.

Michael Ealy and Joy Bryant take on the polar opposite roles from Hart and Hall. The two of them take you on the ride that is building a meaningful relationship in the modern era. Danny and Debbie are honest and caring towards each other, both seeming to be willing to give whatever it takes to make their relationship a success. The story they tell is as emotional and as complicated as any real relationship would be. From their first meeting to their first relationship obstacles, their story keeps you guessing and looking for that issue that breaks them up.

The story is not a very complicated, or even unpredictable, instead it is very easy to follow and appreciate. The movie uses candid sexual encounters, funny supporting actors and even an interesting cameo to keep you on your toes. They even use a scene to redefine the term “chicken-head” in a way that makes you laugh out loud while also feeling very awkward having seen it.

As Valentine’s Day is here, About Last Night is a great choice to see if you are looking for a date night movie to share with a better half. The comedy is perfect, the emotion is real and the story is interesting. About Last Night is a well-done remake of another well-done movie and is very worth seeing.

Similar Viewing:

About Last Night…

RoboCop – Review

Posted: February 11, 2014 by MichaelSmithNC in All, Movie Review, Movies
Tags: , ,

robocop_poster_p_2013


RoboCop

Rated PG-13

For intense sequences of action including frenetic gun violence throughout, brief strong language, sensuality and some drug material

In the very near future, a mega-corporation, Omnicorp, has taken on the responsibility of protecting mankind by developing robotic answers to the most dangerous situations man can face. Their motives are by no means benevolent; they simply see an opportunity for profit and a market that will never dry up. Their mission to bring their robotic security forces to the police forces of the United States is faced with the obstacle of a public that fears emotionless robots roaming the streets. Omnicorp chooses to ease the minds of the public by merging man with machine to reap the benefits of a machine’s efficiency with a man’s conscience.

Robocop is a character/brand that was created nearly 30 years ago and made famous by director Paul Verhoeven and originally played by Peter Weller. When the first film was released in 1987 it was regarded as a success both critically and commercially. That original film would spawn two sequels, a comic book, video games, action figure lines, 2 animated television adaptations as well as 2 live action television adaptations. It became a truly lucrative brand that was able to endure for over 25 years.

Unlike the Hollywood of the 80s, Hollywood today does not seem to really have any inclination to develop any new ideas into successful films. Instead, the popular course s of action are to find a teen novel, comic book or established brand from days gone by to adapt or remake into feature films. RoboCop is the latest attempt by Hollywood to draw success from that well.

This incarnation of RoboCop is not a sequel to the original film series and it is not attached to any of the other parts of the RoboCop franchise. It is intended to reboot the once lucrative brand by using similar themes, a similar story and state of the art special effects to bring the movie to a whole new generation of fans while also reinvigorating the original core fan base.

The story is very similar to the one that was presented in 1978. A few changes were made to accentuate the family aspect of the man Alex Murphy. His wife and a son are more central to the story to add emphasis to the human side of RoboCop. Another change is in the portrayal of the company Omnicorp (OCP); it is not portrayed as being wholly corrupt or “inherently evil” as it was in the original series. But overall the story is the same; A Detroit cop is mortally wounded and would be dead if not for the scientists of Omnicorp who rebuild him into a crime fighting cyborg.

In this type of movie, the visuals are the key to it being watchable at any level. For the most part, the effects are very good if not excellent. I was only able to find one scene where they could be a little better; look out for the SWAT truck crashing into the ED 209 and you will see what I mean. The effects in the scenes of Murphy in his “human” capacity are striking as he is significantly more machine than man.

RoboCop as a character is very well done; he doesn’t look over-the-top or ridiculously fake by any stretch. He looked good both as prosthetics worn by Joel Kinnaman, who was chosen to portray Detective Alex Murphy, and as pure CGI. How many times have we all seen robo-characters that have prosthetics that look like they are out of a Power Rangers TV episode? The first time the visor drops down over Murphy’s face and that pistol comes out, you can’t help but smile with approval.

Also related to the effects, the sound effects are believable as well. The producers and director decided to not have RoboCop sound like the voice modulator in a Tandy 1000. Joel Kinnaman actually got to use his own voice unlike Peter Weller in the 1987 original. Also, the use of arbitrary “robot” sounds was kept to a minimum; I don’t need to hear every little motor and gear whine and turn as the movie goes on. The only opportunity for improvement with sound would be when RoboCop walks. His footsteps sound like he should be creating 2 inch impressions in concrete everywhere he goes.

As good as the effects are they would be nothing without some good actors to tie it all together. The casting for the movie was really well done as a whole. Gary Oldman as Dr. Norton was an excellent choice. Also, the casting of Michael Keaton as the “villain” was perfect; his portrayal of Sellars really allowed you to see all the layers that make up the Omnicorp CEO. The character of Pat Novak played by Samuel L Jackson does get a little old, but Sam manages to work in some of his trademark dialogue to help him get by.

Overall, I really did enjoy this movie. They didn’t screw with the story too much, the visuals and sound are good and the actors all seemed to fit into the roles they were playing. I am not saying to be ready for any type of award caliber stuff here. All I am saying is, if you go to the theatre and plop down $10 to see it, you should leave feeling okay about the decision.

Oh, and be ready for sequels….many!

Similar Viewing:

RoboCop (1987),  RoboCop 2, RoboCop 3

RoboCop

About Last Night

Endless Love

Winter’s Tale

 Miley-Cyrus-Bangerz

Cyrus Album

PNC Arena

Raleigh, NC

April 8, 2014

Miley Cyrus: Bangerz Tour

with Special Guests:

Icona_Pop_New_Main_-_Pub_1_-_Photo_by_Fredrik_Etoall

Icona Pop

And

Terry-Richardson-Shoots-Sky-Ferreira-at-the-Chateau-Marmont-04

Sky Ferreira

Global superstar Miley Cyrus will visit 38 cities throughout the United States and Canada on her highly anticipated BANGERZ TOUR.

Details for Miley’s BANGERZ TOUR follow her surprise appearance on “Saturday Night Live” where she announced to fans that she would be launching a tour soon. The announcement on “Saturday Night Live” comes on the heels of her well-received appearance on the show as both host and musical performer. She was part of a series of headline-making appearances that supported the release of her new album, “Bangerz,” on RCA Records. “Bangerz” debuted at #1 on both the Billboard Top 200 Album chart and the Digital Album Charts with over 270,000 albums sold.  Additionally, during release week, “Bangerz” hit #1 on iTunes in over 70 countries. Both singles, “Wrecking Ball” and “We Can’t Stop,” off “Bangerz” have already sold 4.3 million copies in the U.S. alone. “Wrecking Ball” hit #1 on the Billboard Hot 100 and stayed there for two weeks. It became Miley’s first Billboard Hot 100 #1 and her fastest-flying top 10 on Radio Songs.

“Wrecking Ball” also hit #1 on Spotify where it reached the highest streams ever for any track in the U.S. beating the next highest week by nearly 500,000 plays. This exciting news came just two days after her music video for “Wrecking Ball” became the fastest music video ever to reach CERTIFIED status, VEVO‘s milestone for videos delivering 100 million views in only 6 days. Cyrus shattered the previous record which she held for “We Can’t Stop,” which was CERTIFIED by VEVO just 37 days after it premiered.

“Bangerz” has been getting rave reviews including Entertainment Weekly calling it “…utterly fresh, a pop blitz from a hip-hop blueprint, and proof that Miley won’t settle for just shocking us.”  US Weekly declared it “the year’s most titillating pop explosion” awarding the album “4 stars (out of 4).”

For more information visit MileyCyrus.com

Tickets: HERE

UCB

When: March 21, 2014
Where: The Carolina Theatre, Durham
Tickets: Here

The TourCo cast is hand-picked from the best improv comedians in New York City and Los Angeles – these performers are the next wave of comedy superstars from the theatre that has been home to some of the biggest stars in comedy today. From Saturday Night Live to Happy Endings to The Office to Parks and Recreation our guys and gals are all over the place. Not to mention the writing rooms and offices of the Colbert Report, the Daily Show with Jon Stewart, MAD TV. And even on the big screen, UCB alums have stared in the best, freshest irreverent comedies in the past decade, including Bridesmaids, Mean Girls, The Hangover and countless others. This show has never been seen before, it will never be seen again and will never be forgotten.

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When: March 13, 2014
Where: The Carolina Theatre, Durham
Tickets: Here

Actor, writer, producer and comedian Jim Jefferies announces his new live tour ‘Day Streaming’ set to stop at 31 cities Spring 2014.  ‘Day Streaming’ will be Jefferies first full North American tour. The tour is produced by AEG Live.

Jefferies is the creator and star of Legit, an edgy, controversial original comedy series which returns to FXX for a second season on January 8.  In Legit, Jefferies portrays a heightened version of himself as a comedian from Australia who realizes there’s more to life (and his career) than the rock and roll lifestyle of stand up comedy.  Prior to Legit, Jefferies has appeared on numerous TV shows in England including Channel 4’s The History of Offensive Humor, BBC1’s Heaven and Earth, and ITV2’s Comedy Cults. U.S. audiences got their first taste of Jefferies when he appeared on HBO’s Down and Dirty with Jim Norton which in turn lead to his critically acclaimed and international hit one hour HBO special, I Swear to God.  He followed that up with a Showtime special titled Alchoholocaust and Fully Functional on The EPIX Network.