Posts Tagged ‘Lincoln Theatre’

Eastern Carolina Style Interviews: Whitney Peyton



“If artists like Machine Gun Kelly, Eminem, and Missy Elliott had a pale love child she would be just like Whitney Peyton.”

MAS – In my research for this interview I went onto SoundCloud and DatPiff to find some of your stuff to get familiar with you. As I was listening I found myself bobbing my head and really getting into it. I then went your website and saw your picture and I was like, “What the hell?” The picture I saw was not at all what I expected.

WP – Wait? So you heard my music before you saw me? That is usually not the case. I kinda like that! Usually people look and then they get some kind of idea of what it is going to sound like before they listen. It is kinda cool that you were able to listen before you looked.

MAS – I was showing one of my office friends one of your videos and they were like, “When did Avril Lavigne learn to rap?”

WP – Yeah, I’ve been called that before. It’s kind of funny, that is the second time this week someone has said that I look like Avril Lavigne. That’s cool, I’m just doing by stuff, being Whitney Peyton from the suburbs of Philly. I’m just rapping mad, it’s the easiest way. I’m just being me, so people can either take it or leave it.

MAS – Who is Whitney Peyton? Introduce yourself to North Carolina.

WP – I’m what would happen if Machine Gun Kelly, Missy Elliott and Eminem had a love child. I am excited to play North Carolina, I think I did once before but it was so long ago. I don’t really count it, because back in 2008, when I was real fresh, just started, I played this car show. The DJ that they hooked up with was wasted, he was playing by backing tracks and he was scratching during my songs. It was really messing me up. He was putting me at different places in the song, jumping me around as I am trying to rap. It was all kinds of crazy. It was in front of a lot of people. It was like, “Whoa this guy has too many drinks, and he doesn’t need to be playing my backing tracks right now.” So, I am ready to come back to North Carolina for the re-do. Let’s get it crackin!

MAS – How did you get in to Hip hop? Philly is a bit of a hotbed for Hip Hop so I can see that part.

WP – I’m from the outskirts of Philly so I had to go into the city when I started record or perform or anything. There is not really a venue out in the suburbs near me.

I was doing spoken word, just rapping a Capella. I didn’t know any producers and I didn’t know how to get any beats at that time. I was just writing. I was like, I am really into poetry but I also really love hip hop. So, I kind of want to transform this into not just spoken word but I want to rap too. They can sound the same but they are totally different. When you are rapping on beat it is way more rhythmic, a capella doesn’t have as many rules, you can be all over the place. On beat, you have got to be more in the pocket. It took a while to get the hang of it; I was so used to spitting a capella.

I started going into Philly and knocking on everyone’s door, like any producer. I was like, “I really want to record” and a lot of them just laughed. It took a while for someone to say yes they would record me. It started picking up from there.

At that time, there were definitely girls in the industry but it was still really scarce. Now there is more and more of us popping up which is a cool thing, but when I started recording there wasn’t really that many of us. It was hard to get people to take it seriously.

MAS – How long have you been in this game?

WP – I have been writing for a long time, so it is really hard to say. They didn’t let me in the clubs to perform until I was 18. So do you count when I was actually allowed to perform or do you count all of the stuff I have been writing in my notebook in math class. It’s kind of hard to gauge that, I have been writing since middle school. I think my first mixtape or EP came out in like 2008. I have got way better since then.

Artists go back and are like, “I hate my old stuff” because they feel like they have progressed so much. It’s been a few years that I have been heavily involved.

MAS – If you think you old stuff is something you hate or are ashamed of, we are in trouble with any new stuff.

WP – <Laughing> I’m not ashamed of it. You listen back and you compare it. Any artist, probably, listens to their newer stuff and compares it to their old stuff and is like, “wow, it’s a massive change.” Even people who are not artists, if they look at their style of anything, dress or how they acted, years ago they are like, “what was I thinking?”

My first song that I ever released as a single, Crazy, remains one of my most popular songs. For me, I’m like wow that was my first real track so I feel like I can rap way better since then, but it remains a fan favorite. I can’t really say that I regret any of it, it has all made me better. But, I for sure rap way better now.

MAS – Your flow is one of your biggest assets, but also the way you rap. Your roots in spoken word are very evident. As you are spitting those rapid fire lyrics, you can still clearly hear every syllable.

WP – Cool. That is something I think about when I listen to other rappers, I want to hear what they are saying. That’s the biggest part. As a rapper, obviously you are a lyricist first and foremost. That’s the whole point.

MAS – Where do you draw from for your lyrics?

WP – Because I am not a normal rapper, I don’t rap about the normal things. I don’t have that hood life that a lot of rappers are able to talk about. I just talk about things that I have been through; struggles with anxiety, struggles with relationships, stuff like that. I think that is relatable to the average person no matter where they are from. I feel like that is why I have been able to be versatile and have a wide demographic. No matter where you are from; the suburbs, the hood, the middle of the country somewhere it’s a relatable thing.

MAS – You are very motivated by what goes on your community.

WP – There is such a negative reputation that goes with rap music. We always think of rappers with violence, drugs, living the lifestyle where they are showing off the material items. That is what it always seems to be about. I just want to show that there is positivity to it as well. With my career I can also help charities and donate my time to those things on the side so that I feel like I did accomplish something positive. It’s not all about negative things.

MAS – How did you get hooked up with this tour? The artists don’t seem to have a lot in common.

WP – I was on tour with RA The Rugged Man and before that I was on tour with Twiztid. People are always like, you are mismatched all the time. If you think about it, it’s hard to find a demographic that is for me because I am so different from a lot of other artists. It’s like, who can you pair me up with? I like the fact that we are different because it makes for a more interesting show. If you are going to a show and there are four artists and they are all similar to each other, I think that would get old after a while. The fact that each of us, on the tour, has our own style makes it interesting when you go. I won’t be monotonous.

But to answer the question, I got hooked up with it while I was on the RA The Rugged Man tour. There was someone in the audience that was a booking agent. He was putting together this tour with Da Mafia 6 and he saw my performance and he approached me about it. He was like, “hey you put on an energetic performance and I think you’d be good on this tour.” I didn’t think… People tell you things and you take it with a grain of salt. In the music industry, of all things that you are approached a very low percentage actually gets followed through on and actually happens. So I took like, “yeah that would be cool” but I didn’t put all my eggs in one basket. But its real and I leave Friday to go meet up with Three 6 in Tennessee. We have about 60 tour dates or so that are back to back, it’s going to be wild.

“My career is a biscuit because I am bred with the best and I guess I’m delicious”
“You bet I rap with an image so un-ghetto. I’m not a puppet, no strings, no Geppetto”


maxresdefault Twisted Insane
whit-pic-2 Whitney Peyton
vmznmv SOZAY
 photo Alan Winkle
When: March 25, 2014
Where: The Lincoln Theatre, Raleigh
Tickets: Here


When: March 29, 2014
Where: The Lincoln Theatre, Raleigh
Tickets: Here

Life-long renegade and ex-convict David Allan Coe is an American songwriter and outlaw country music singer who first achieved popularity during the 1970s and 1980s.  DAC became a stalwart touring icon and remains one of the most colorful and unpredictable characters in country music history.  As a recording artist, some of his biggest hits include “Mona Lisa Lost Her Smile,” “The Ride,” “You Never Even Called Me by My Name,” “She Used to Love Me a Lot,” and “Longhaired Redneck.”  Dozens of others have become cult standards and his many compositions recorded by others, including Johnny Cash, George Jones, Willie Nelson, and Kid Rock have been chart topping successes.

So far, David Allan Coe has had eighty-one songs hit the Billboard Singles Charts.  “Take This Job and Shove It” has received BMI’s coveted Million Airplays Certificate; his “Greatest Hits Album” was certified Platinum; and his “First Ten Years Album” certified Gold.  His massive copyright catalog includes an estimated 800 songs.  He has also published a novel, Psychopath, and an autobiography, Whoopsy Daisy.  Coe began a non-stop concert tour almost 45 years ago and the schedule still boasts a never-ending list of sold out shows.

juicy j

w/ Project Pat


and w/ Travis $cott


Never Sober Tour

When: February 28, 2014
Where The Lincoln Theatre, Raleigh
Tickets: Here


Courtesy MTV:

Together with production partner DJ Paul, Juicy J played an important role in the South’s rise to prominence within the once East- and West Coast-dominated rap industry. Behind the duo’s leadership, Three 6 Mafia rose from an underground phenomenon in Memphis to a nationally recognized rap empire, spinning off numerous solo albums for the collective’s many members in the mid- to late ’90s. Like his production partner, Juicy J specialized in dark, eerie tracks driven by bass-heavy beats and haunting sounds. He also raps as a member of Three 6 Mafia and contributes rhymes to most of the albums he produces for such artists as his brother Project Pat, Gangsta Boo, La Chat, and Tear da Club Up Thugs. Moreover, Juicy J ventured into filmmaking with Choices (2001), a straight-to-video film starring most of the Three 6 Mafia collective.

Juicy J (born Jordan Houston) and DJ Paul (Paul Beauregard) first came together at the dawn of the ’90s, when they worked as DJs in the Memphis area. The two soon began producing their own tracks and invited numerous Memphis rappers to rap over the beats. They released the resulting tracks locally as Triple 6 Mafia; years later these recordings would resurface as re-releases. In 1995, the loose collective changed its name to Three 6 Mafia and self-released its debut album, Mystic Stylez. The album became an underground success, and Three 6 Mafia, in turn, signed a distribution deal with Relativity for its Hypnotized Minds imprint. Throughout the late ’90s, Juicy J and DJ Paul produced numerous albums a year for Hypnotized Minds and capitalized on the lucrative distribution deal. By the end of the decade, the two producers were at the helm of an empire, having extended their brand to alarming lengths, culminating with their commercial breakthrough album, When the Smoke Clears (2000), which debuted at number six on Billboard’s album chart.

He launched his solo career during a break in Three 6 Mafia’s usually busy recording schedule, releasing the hardcore effort Chronicles of the Juice Man: Underground Album in 2002. Gucci Mane, Gorilla Zoe, and Webbie all appeared on the 2009 follow-up, Hustle Till I Die. Two years later, Juicy signed with Wiz Khalifa’s Taylor Gang and released “Bandz a Make Her Dance” on the label in 2012. The single landed on his third solo album, the 2013 release Stay Trippy. ~ Jason Birchmeier, Rovi



When: Friday, February 21, 2014
Where: The Lincoln Theatre, Raleigh
Tickets: Here



It is the early 1980s in Colorado, three boys; Todd Park Mohr, Brian Nevin and Rob Squires are at Columbine High School dreaming about hitting it big in music. Fast forward, a little bit, to 1986 and change the setting to The University of Colorado and those three same boys, now grown men, begin touring the college scene performing a jazz and blues inspired set as Big Head Todd and the Monsters. In 1989 they take their work to another level and form Big Records and release their first album, Another Mayberry.  It is now 1993 and Big Head Todd and the Monsters are set to release their third album, Sister Sweetly, under new label Giant Records. Sister Sweetly is widely critically acclaimed and goes on to sell well into Platinum status. From that point on, Big Head Todd and The Monsters would always consider themselves, and be considered by many to be, a truly successful band.

On February 4, 2014 the band will release Black Beehive which will be their 14th album. Throughout their careers and their large catalog of music the band has stayed true to their roots of being a blues based rock band. They were not concerned with fame or with being the “next big thing”; they just wanted to make music.

Rob Squires, the bassist and a founding member of the group, took some time recently to answer a few questions about their music, their upcoming show at the Lincoln Theatre in Raleigh and the new album.

MAS – You guys will perform at the Lincoln Theatre in Raleigh, NC on Friday, January 31. What can we expect from the show, a mix of old and new or mostly material from the upcoming album?

Rob Squires – With our new CD coming out I’m sure we’ll focus on some of the new material as well as older crowd favorites. We’ll have special guests Ronnie Baker Brooks and Hazel Miller joining us for the tour so that will allow us to present some really cool and different things as well.

MAS – Everywhere I look I read that the 1993 release ‘Sister Sweetly’ should have made you all superstars.  It sold over a million copies and was consistently ranked in the Billboard Top 200. In an interview you did a few years back with it was said that you were just not ready for all that came with that type of success. Now, here you are 20 years after the release of that album, do you have any regrets about pulling back on the reigns? What would you have done differently?

Rob Squires – We are very happy with our career and have no regrets. We have always stayed true to what we believe in musically and have been rewarded by our fans with a very successful 27 year and counting career.

MAS – Since the early 90’s you all have produced 13 or 14 albums all with varying degrees of success. Your musical style in those albums has been described as “a little bit of everything.” With your interests and abilities being so diverse, how do you assemble all of those styles into the identity that is Big Head Todd and the Monsters?

Rob Squires – Even with the differing styles in CDs I think you can find a common thread and that’s the sound of the band and the underlying influence of the blues. Blues spawned so many varieties of music but everything can be traced back to those basics.

MAS – You guys are a true success story in music, three buddies from high-school that decided to make music; and keep it working for over 20 years. How do you make it work in the age of “creative differences” breaking up groups every day?

Rob Squires – We have always been good friends and supportive of each other’s ideas. Also, it certainly doesn’t hurt to have Todd who is such an incredible songwriter.

MAS – Your soon to be released studio album, Black Beehive, sounds like some of your very best work. Tell me about the development of the album. What was the inspiration? Who developed the overall concept? Is there anything noteworthy about this album as compared to your others?

Rob Squires – Todd came up with an incredibly strong batch of songs and we were fortunate enough to connect with Steve Jordan as a producer. Steve is one of the most musically talented people on the planet and has worked with a who’s who of legends. Steve really focused the project and brought great sounds and vibe to the recording. We recorded fairly live in a one room studio and it really captures the essence and the sound of our band.

MAS – In looking through the current Billboard Hot 100, blues music or even blues inspired music is barely represented if at all. The charts are dominated by the likes of Katy Perry, One Direction, Miley Cyrus and others like them. Does that make you feel challenged or pressured to pursue a more pop style of music too?

Rob Squires – Not at all. We’ve never chased trends. We make music that we love and we’ve been blessed that enough people love it too.