Posts Tagged ‘Duke Energy Center’

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MAS – You have been in comedy touring for around 20 years and have been to, easily, hundreds of cities and played in hundreds of venues. Looking back, which of your shows do you feel like is your crowning achievement to date?

Bruce Bruce – I don’t really know, I don’t think I have gotten to that point yet. All the shows I have ever done in any theater or in any club I have so much fun and all of my crowds are basically the same. Also, I always give 100% with whatever I do. So, I haven’t gotten to that theater yet where I think I achieve anything like that. I am still out there having fun.

MAS – On the other side of that, are there any shows that you have done that you wish you could do over again?

Bruce Bruce – Oh yeah, there are shows that I wish I could go do again. I have never had one that I can’t go back to, never had a bad show. But shows that I would like to do again, I would like to host BET Comic View again. The previous show that I did, I thought that it was very good and it was a very good year. I think we had over 2 million viewers, and that was pretty good.

MAS – What is there in your career that you would like to do that you haven’t already done?

Bruce Bruce – I would like to host my own TV talk-show. I would like to host a show like Johnny Carson. I think I could get anybody to do the show and I think I am a great person to interview them. I have the personality for it. That’s one thing I’d like to do. I’d like to have a long run like Jay Leno, who took over for Carson. I’d like to have a show like that. I’d like to have the desk, I’d like to have the whole setup, couch everything.

MAS – I forget which show it was that I was watching of yours, but I watched you go person to person lighting them up joking on them as they were walking to their seats during your set. Have you ever really pissed anybody off doing that?

Bruce Bruce – Yeah, I think I have pissed someone off but I have a way of making it up to them right there onstage. I don’t know how I do it, but I have seen people really get pissed and then said things to them and done some things to them in the midst of the show and they have forgotten about the whole entire thing. They are laughing and loving it, they are like “First, you pissed me off, but we really like you, you are really good.” By the way, when I do it, it is nothing degrading, nothing personal, nothing to intimidate you, it’s all in fun. If I see a big guy, I’m gonna talk about me and him. He’s gonna think the joke is on me and him, but it’s really on him. He doesn’t realize it, but that is how I do it, a maneuver that I do.

MAS – You have a huge library of material, like an encyclopedia Britannica of comedy to pull from. What can we expect from you?

Bruce Bruce – Definitely different, I have different stuff that I do. Also, I do a meet and greet after each show. I always have the, “Why didn’t you do that joke?” Some people really want to hear some of the old stuff, so a lot of time when I go out on stage I ask, “What do you want to hear?” because a lot of time people just want to hear the old stuff, I definitely have new stuff that is really, really good. The key thing is how my show goes…You go to a comedy show and you see the comedian and they give you a roller-coaster ride. One minute they are very funny and then they come down and then they go back up again and then they come down. I don’t do the roller-coaster ride, I pick you up and I leave you right there. That is my whole goal, I want to pick you up and leave you laughing right there. I don’t do the roller-coaster ride; that is not comfortable to me. I come do a great job, so I am going to pick you up and up.

MAS – I have talked to some of the more controversial comedy acts; Jim Norton, Tracey Morgan, etc. They are all not afraid to push the envelope in subject matter. In hearing your set, you talk about some of the same subjects; race, women, sex, etc. but with a completely different tone. What has pushed you to use that type of material and the tone that you use?

Bruce Bruce – Well, honestly… I think, once you have a person’s attention, once you get their attention you can just about sell them on anything. When you go to church, you go anywhere, you go to a seminar; once they have your attention; you have a tendency of listening. When I have people’s attention I think that is my outlet, especially with guys, to let them know about racism, and relationships; I do a lot on relationships. They need to know these things. A lot of guys, they don’t know, they think they know because they feel they are a grown man, “I’m a grown man now, I’m a big man,” a lot of time we just don’t know. Once I have their attention, I just lay it on them and it just comes natural for me.

MAS – You have been in this business for around 20 years…

Bruce Bruce – 24 years in 2014, I’ve been doing it for 24 years professionally.

MAS – That kind of experience makes you a subject matter expert; you are the man to ask. Let’s pretend I am an up-and-coming comedian, I want to be the next Bruce Bruce… How do I do it?

Bruce Bruce – The key thing is, you have to have a passion. I need to know if you have a passion for doing stand-up. If you do have a passion for it, be creative and use your own material. Don’t take bits a pieces of other people’s material. I can see you taking somebody’s style, but not their material. Use it to your advantage. It’s not hard to pick up a lot of material. I tell every young comedian, I go up to the mall and I sit and I watch people and that is how I gather my material. I learn things about the city, so when I come up on stage I’m gonna say something about the city that you think I don’t know anything about. It is about bringing creativity and being original and using your own material. Energy, you’ve got to have energy, but first and foremost, you’ve got to have the passion for it. If you have that passion, you can go to the top…

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Gary Owen is a fast rising star in comedy today. He has appeared in movies Think Like a Man, Ride Along and will reprise his role as Bennett in this summer’s Think Like a Man Too. He has appeared as a regular on Tyler Perry’s House of Payne. His comedy special Gary Owen: True Story is one of the most popular on Netflix. He has been a part of some of the best comedy tours going today and now he is coming to Raleigh.

Gary Owen is coming to Raleigh, along with the rest of the Top Shelf Comedy Tour, to the Duke Energy Center on January 31st.

MAS – For your show that is coming up, what kind of new material do you have in store for us?

Gary Owen – It is all new material, nothing that is on the internet. I just finished some of my new hour special back in November. Once you do an hour special you try to put that material to bed and you start working on a new album.  The thing about it is nobody in Raleigh has seen it because the album isn’t out yet. So, it will be all new material that’s for sure.

MAS – How has the tour been for you? I know with all your work on TV and in film being on a tour like this has to be different, how is it going for you?

Gary Owen – The tour is actually a little easier than doing comedy clubs. It’s just one a night, you’re in and out. Usually we are doing two cities a week, it’s like you leave home Friday and you are back home Sunday. It gives you all week if you want to film something, if you are on a TV show or you’re filming a movie. It easier to work around your schedule; the tour is the easiest to me.

MAS – Putting the paycheck aside, what would you prefer to do the most; Movies, TV, Touring, Clubs?

Gary Owen – The comedy club is like your gym. That is where you work out all your new stuff, get your timing down, move a joke from the beginning to the end of your set to see where it goes. The big theater shows, like when I come to Raleigh; that’s our game day, like if you were an athlete. That’s when people are getting their hair done and they got their clothes in the cleaners; you know you gotta look good. You gotta give them a good performance because the probably paid a little more than they would in the comedy club. But you are also getting four headliners, instead of one. I think it all works hand-in-hand. One hand feeds the other. It is not like you like one better than the other it is just… With movies and TV, it builds your fan base a lot faster than hitting the road. That is really what, in the end, dictates how many people pay to see you.

MAS – I saw Think Like a Man and loved you in it, you were hilarious. When I saw that all you guys were back together to make Think Like a Man Too, I was like “cool”.

Gary Owen – The sequel, we filmed it all last summer in Vegas. I think it is coming out June 20, that’s the tentative release date. In the sequel, you get to meet my wife, finally. A lot of people have been asking about that. My wife is Wendi McLendon-Covey who is from Bridesmaids; she is on The Goldbergs right now. She also used to be on Reno! 911; that is who my wife is. Our chemistry, on set, is crazy; as a couple. You know, Bennett is kind of like the homebody and you wonder where he gets that from. It’s just funny to see… You are always curious to see what his home life is like, because he is always going home to his wife.  You don’t really know what to expect. I don’t want to give too much away, but we are just a very funny couple.

MAS – In doing some looking at it on IMDB, I was scrolling through the cast list and it looks like this has quite the cast assembled. This could be one of those “sleeper” movies of the year.

Gary Owen – The thing about it is, if you get a summer release as a comedy the studio is thinking two things. Either they are very unhappy with it or they have huge expectations. For them to give us a summer release; that’s when all the blockbusters come out; they are expecting big things from the movie. I’m excited, I can’t wait. Every day we came on set you had no idea who was going to be there. There are some cast members that are not announced that I’m not allowed to say, they are under wraps.

MAS – I get that feeling, Ndamukong Suh, lineman from the Detroit Lions and running back Steven Jackson makes an appearance. That is a little interesting.

Gary Owen – There is a lot more of that, and not just in football. There is some huge entertainers, let me put it that way.

MAS – You have another movie out, Ride Along. Tell me about that one.

Gary Owen – Kevin is gonna get engaged to Ice Cube’s sister. Ice Cube goes, “You wanna be a cop, I’m gonna take you on a ride along”. It’s like a play on Training Day, with Denzel and Ethan Hawke. It’s like a comedic version of it. So he takes him on a ride along and shows him all these scenarios during the day. Basically, what happens is I have a grocery store held hostage and Ice Cube tells Kevin, “You need to go arrest this guy. This guy doesn’t have a gun, you can handle this one.” Kevin doesn’t handle me very well. To anybody that doesn’t like Kevin Hart, you are going to enjoy my character; I beat the shit out of him.

MAS – You know, comedy seems to go in cycles. Ten years ago, Chappelle was the thing, before that you had Jeff Foxworthy as the thing. Today, guys like Kevin Hart are becoming the thing. That cycle seems to keep comedy getting better and better and more dynamic. Do you think you would be as successful as you are now, 10-15 years ago?

Gary Owen – Here’s the thing about this business, you never know when your number gets called. Just have to be ready. That is what I tell comics, be ready. What I always tell up and coming comics, the best way to make it in this business as an up and coming comic is be on time for the show and do your time while you are that show. Which means, if you are scheduled to do 15 minutes, do 15. Don’t do 25 or 30, do 15. Then the other comics will be like, “Oh ok, you know, I wanna work with him. He does what he’s told.”

You had the Kings of Comedy there for a minute. It went from them to Mike Epps. You know Mike Epps has really sustained for the last 10 years. It kinda went Chappelle and then Katt for a second and then now it is Kevin, probably. You just never know. I’m being funny of course, but it’s like an email goes out to the country saying “this is who we’re going to go see now.” Some unknown email gets sent to everyone in the country, “Alright, this is the comic right now, this is who we are all going to go see.”

MAS – In your touring history, you have obviously been through North Carolina before. Where all have you been?

Gary Owen – I’ve been to Charlotte, to the BoJangles Arena. I’ve done that a few times. Me and Mike Epps were on tour last year, so we hit every major market. Raleigh, obviously I have done Charlie Goodnight’s numerous times. I’ve done all the colleges in Raleigh, every single one. I think I’ve done the two-year school; I’ve done some many schools in Raleigh. The Shaq tour came there a year and a half ago. I like Raleigh; I like it a lot. It’s a clean city.

MAS – As far as the crowds go from city to city how do your audiences change or are they pretty consistent everywhere you go.

Gary Owen – Well I make the joke that I have to be the only comic in the history of comedy that has to crossover into my own race. Black people know me; it’s the white people that are finally getting to know me now. It’s funny, at the airport or malls when black people see me and they ask for a picture, you see the white people going, “well who is it?”

MAS – That’s something else too about you that I think is truly funny. Watching your standup, I’m watching the audience go nuts laughing. Then they will do the camera shots of the one or two white guys in the audience that are afraid to laugh. They are like, “He can get away with, but can I get away with that?”

Gary Owen – I don’t think that it is they are afraid to laugh, I think they are in shock that the crowd is in such hysterics over a white dude. They are like, “I never thought I’d see this.” A lot of the time, if you look at the crowd, the white guys or white girls are looking at the audience members. They are like “Whoa!” It’s almost like seeing a Johnny Manziel play or seeing a white guy win a 100 meter dash at the Olympics. You are not expecting it, so when you see it you are like, “Whoa, did I just see that?”

It is changing, especially over the last year. A lot of it can be attributed to Think Like a Man and me being on Netflix. Now they are getting familiar with me. Now you are getting lots of people paying to see me and they don’t care who else is out there. In the past the black people were paying to see me and the white people might be coming just to see a comedy show just to go to get a night out.

MAS – Every comedian is good for a stinker or two during their careers, you haven’t had one yet. How have you kept you material at such a high quality?

Gary Owen – It’s odd; I don’t have a lot of joke jokes like with setups, middles and punchlines. A lot of them have just been stories about my life. Honestly, my act is my life on HGH and steroids. It is really my life; I am just adding stuff into it to be funnier.

That’s why it is always important to hit the comedy clubs because that’s where you really work out your material. There’s jokes like my Black and White Church joke, when I first wrote that joke it was a one-liner that I used on a Sunday night where I said, “Glad you guys made it out of church because I barely made it here.” The crowd went into hysterics and I was like ‘whoa, there is something here’. I took down a note that just said, “Black Church.” Let me keep working on this.

Something else about that joke in particular. People would want me to do that joke and I don’t really do it anymore. So what I did was, in my newest hour special, which we filmed back in November in Atlanta, I’m gonna open that special with the church skit. Like I really turned the joke into a skit now, it’s going to be me going into the black church; you see me reacting. I did it at a real black church and I hired real church members; I didn’t hire actors and actresses. It came out so funny; I can’t wait for everybody to see it.

MAS – I know it is a really old joke too, but your “Boy Bands” routine… It has the funny words, but then the physicality that you put into it just put it over the top. You would do very well in an improv type thing.

Gary Owen – A lot of times I do that. A lot of times when I am at The Improv or Funny Bones I will close my show and just say, “What do you guys want to talk about?” I’ll get jokes out of that as folks yell stuff out. It’ not me attacking the audience, it’s me having fun with them.

MAS – One of my buddies sent me a YouTube clip of you handling some heckler named “Dusty”…

Gary Owen – Aww crap, yeah!

There’s some backstory to that. I was getting ready to do the Late Late Show with Craig Ferguson. I live in Cincinnati, so I drove up to the Dayton Funny Bone because I wanted to work on my 5 minute set. It was open-mic night, so they were going to have me close the show.

So this guy, named Dusty, had heckled all the open-micers and they were getting ready to kick him out. I said, “Don’t kick him out, put me up next. Don’t kick him out, I’ll handle him.” So I was standing up for the young guys that couldn’t. So they put me up about half-way through the show instead of closing it and that’s when I just attacked the dude; he ended up leaving. They only showed about 5 minutes on YouTube, I went at him for about 45. He was done.

It’s funny, there was only about 100 people in Dayton Funny Bone that night but you would think there was thousands. I get it all the time, “Dude, I saw you handle Dusty” and I’m like, “No you didn’t there was like 100 people in the room that night.”

MAS – I admit, it was on YouTube for me because I don’t live anywhere near there… When you broke out “The Whistle” joke on him…

Gary Owen – <Laughing Hard> I don’t know where that came from. I hadn’t told that joke before and I haven’t old it since.

MAS – You were in the Navy and decided to pursue comedy afterwards. You won Funniest Black Comedian in San Diego. I think that is hilarious on its own. You were the one and only white guy to ever host BET’s Comic View. What do you attribute that crossover success to? It can’t just be because of being in an inter-racial relationship; I’ve done that and got nowhere near the level of acceptance you have.

Gary Owen – Dave Chappelle said it a long time ago that most comics start comedy because they have always wanted to do it, and they want to try it. Before you start thinking about it as a business or money. Another reason comics go into comedy is to pick up girls, you find out girls like you.

For some reason, I don’t know what it is, I always liked black girls. I don’t know why. I always say it was like being gay. Gay guys know they are gay but they don’t want to come out the closet because they are scared of the backlash they will get. It was the same way with me growing up. I was like, “I really find black girls attractive” but I don’t want to say anything because it wasn’t always cool.

The reason that I am accepted, and white, is because I am the same guy onstage and off. I’m not a character onstage; my pants aren’t sagging I’m not using black lingo to get the jokes across. When I first got on scene some black comics were kind of standoffish because they were like, “Let me see what he’s about.” Since then, I’ve been accepted in the black community, especially with black comics, because, “Ok, he’s being genuine with this stuff. He’s really married to a black girl; he really does have mixed kids.”

I think a lot of times when the only black comedy you know is the Apollo or Def Jam you don’t give black audiences enough credit. With me, I’m just myself and that’s all they have wanted. They don’t want you to be a character, just be yourself.

I think a lot of white comics don’t take that chance with black audiences; they don’t market themselves toward it. Just because of that fact, “I don’t want to get booed.”

"Think Like a Man" Los Angeles Premiere - Arrivals

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Duke Energy Center for the Performing Arts – Memorial Auditorium

Raleigh, NC

March 17, 2014

2120 South Michigan Avenue, home of Chicago’s Chess Records, may be the most important address in the bloodline of the blues and rock ‘n’ roll.

That address – immortalized in the Rolling Stones’ like-named instrumental, recorded at an epochal session at Chess in June 1964 and included on the band’s album 12 X 5 – serves as the title to George Thorogood’s electrifying Capitol/EMI salute to the Chess label and its immortal artists.

Thorogood has been essaying the Chess repertoire since his 1977 debut album, which included songs by Elmore James and Bo Diddley that originated on the label. He has cut 18 Chess covers over the years; three appeared on his last studio release, 2009’s The Dirty Dozen. On 2120 South Michigan Avenue, he offers a full-length homage to the label that bred his style with interpretations of 10 Chess classics.

The album also includes original tributes to the Windy City and Chess’ crucial songwriter-producer-bassist Willie Dixon, penned by Thorogood, producer Tom Hambridge, and Richard Fleming, plus a cranked-up version of the Stones’ titular instrumental.

Chess Records had been making musical history for a decade before it moved into its offices on Michigan Avenue, in the heart of the Windy City’s record business district, in 1957. Leonard and Phil Chess, sons of a Polish immigrant family and South Side nightclub operators, bought into a new independent label called Aristocrat Records in 1947. The brothers bought out their partners in 1950 and gave the label the family name; by that time, they had racked up blues hits by Muddy Waters, Sunnyland Slim, Robert Nighthawk, and St. Louis Jimmy.

Chess’ studio spawned timeless ‘50s and ‘60s recordings by Waters, Chuck Berry, Bo Diddley, and Howlin’ Wolf, which served as inspiration for the Stones and their blues-rocking brethren, and then lit a fire under their successors George Thorogood and the Destroyers.

Tickets: HERE

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Duke Energy Center for the Performing Arts – Memorial Auditorium

Raleigh, NC

March 9, 2014

Amy Schumer is quickly becoming the hottest star in the world of comedy, with her blend of wholesome, girl-next-door looks and edgy comedy. Amy is the creator, star and writer of Inside Amy Schumer, her Comedy Central television show which will premiere on April 30th. Amy is coming off her one-hour stand-up special, Mostly Sex Stuff, which became Comedy Central’s second-highest rated special this year. She was one of the featured comedians on Comedy Central’s Roast of Roseanne, following her breakout performance on the 2011 Roast of Charlie Sheen. Amy was most recently on Louie and in Season 2 of HBO’s Girls.

Schumer has appeared on The Howard Stern Show, Jimmy Kimmel Live, Conan, and Late Night with Jimmy Fallon. She was featured in Rolling Stone Magazine, The New York Times, Wall Street Journal and as one of Entertainment Weekly and Los Angeles Times “13 Faces to Watch in 2013.”

She had a recurring role on Season 3 of Adult Swim’s Delocated and guest starred in the latest season of Curb Your Enthusiasm. In 2011 she filmed the feature Seeking a Friend for the End of the World starring Steve Carrell and Kiera Knightley and Price Check, an independent feature opposite Parker Posey which premiered at the 2012 Sundance Film Festival. Her album Cutting placed in the top 5 of the Billboard Charts and has been included on multiple Best Comedy Albums of the Year awards’ lists.

Her network debut came in 2007 when she starred on NBC’s Last Comic Standing and soon after co-starred on 30 Rock, and her own Comedy Central Presents special. She co-hosted Hoppus on Music with Mark Hoppus of Blink 182 on Fuse and this summer made her fourth appearance at the Montreal Comedy Festival

Tickets: HERE

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Duke Energy Center for the Performing Arts – Meymandi Concert Hall

Raleigh, NC

March 9, 2014

For more than a decade, Wayne Brady has entertained audiences with his acting, improv, singing and dancing on stage, on television and in film. Brady’s career took off with his debut on the television show “Whose Line Is It Anyway?” in 1998, which won him an Emmy in Outstanding Individual Performance in a Variety, Musical or Comedy Series in 2003.

Since his debut on “Whose Line Is It Anyway?”, Brady’s success has continued with the two year run of his talk show “The Wayne Brady Show,” and guest starring on primetime television series’ such as “How I Met Your Mother,” “30 Rock” and “The Dave Chappelle Show”. Brady can be seen weekdays on CBS as host of the daytime class “Let’s Make A Deal.”

Tickets: HERE

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Duke Energy Center for the Performing Arts – Memorial Auditorium

Raleigh, NC

January 31, 2014

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Bruce Bruce

Bruce Bruce is a name synonymous with keeping audiences rolling with laughter thanks to his captivating improv skills and larger than life comedic style. Bruce’s steady style of comedy has been showcased across the country, and he has been entertaining audiences young and old, and of all backgrounds, for years. His wit, spontaneity and dazzling personality set him apart from other standup comedians. Although Bruce is known for his adult comedy, he prides himself on not using vulgarity to win a laugh, and is no stranger is winning over new audiences with every appearance he makes. From his role as host for two seasons of BET’s “Comic View” to his many appearances on tv and film, Bruce is clearly a comedian that has found his mark in the business.

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Arnez J

Rapidly becoming one of the most talked about comedians, Arnez J’s charisma and physical agility are unforgettable. With the physicality of Jim Carrey, his brand of comedy has dubbed him “the black Jerry Lewis.”

On his own at age 14, Arnez lied about his age to get a job at a gas station to work his way through school. Arnez wanted to be a professional baseball player. A Philadelphia Phillies Farm League pursued him, but that fell through. It was later while working as a flight attendant that Arnez discovered his comedic talent. He realized that he had the ability to keep the passengers and crew laughing and upon encouragement from friends, he made his first attempt at stand-up comedy. After that first night on stage, he knew what he wanted to do. He left his job with the airlines and made the decision to devote all of his time to a career in comedy.

In keeping with his plan, Arnez keeps up a dizzying pace performing for sold out crowds in clubs, colleges and concert halls across the country. And most recently, he has accomplished something no other comic yet has done. Arnez has been asked by The Artist Formerly Known as Prince to perform as his opening act.

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Gary Owen

Gary Owen has been entertaining America for over a decade with his side-splitting comedy. Having performed in all of the major comedy rooms across America, including The Laugh Factory Hollywood, The Comedy Store, all of the Improvs, numerous Funny Bones and Punchlines, and Caroline’s in New York, Owen is one of America’s most loved comedians.”

Owen started doing stand-up in San Diego, and had a huge African American fan base. He went onto win the “Funniest Black Comedian in San Diego” contest. That led to his first big gig at the Comedy Store in Hollywood.

Then in July of 1997 he auditioned for BET’s Comicview. Two appearances on the multi-cultural comedy showcase won him his own one-hour “Grandstand” show. At the end of the season he was selected from the year’s four “Grandstanders” to be the host. Not only is Owen the only white man to have ever hosted Comicview, but he is the only white on-air personality the network has ever had.

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Dominique

What is there to know about Dominique? Well, if you’re interested in high-powered comedy, there is everything to know. From clubs across the country to Comedy Central’s hit “Chapelle’s Show” she’s showing America what a comedienne is.

She began honing her skills unprofessionally as a civil servant on the nightshift as a postal worker at the now infamous Brentwood Postal facility in her native Washington D.C. “I knew something like that was gonna happen. I used to see all kinds of stuff that terrorist could use come through that post office. But that was back in the good ole’ Timothy McVeigh days”, she quips about the nation’s anthrax scare. Boredom with the job and fear of going postal gave way to open mic nights at local clubs at the behest of friends and co-workers. She immediately gained a reputation for telling it like it is; raw and uncut and unknowingly garnered a loyal following. Washington’s uppity audiences gravitated toward her mixture of politics, street culture and current events. Her strong presence and a bravado rarely seen in female comics quickly gained the attention of the producers of HBO’s “Russell Simmons’s Def Comedy Jam”, the show that changed comedy forever. She went from shuffling mail to working with the likes of Chris Rock in no time. “I didn’t do anything special. I just talked about what I knew and the next thing you know I’m on T.V. I quit that job and took about 20 books of stamps. I figured they owed me.” She never looked back.

Tickets: HERE

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Duke Energy Center for the Performing Arts – Memorial Auditorium

Raleigh, NC

January 30, 2014

Queens Of The Stone Age have submitted to popular demand and extended the life of the …Like Clockwork global touring juggernaut yet again.

In addition, Queens Of The Stone Age and The Creators Project, a partnership between Intel and VICE, have unveiled the interactive video for “The Vampyre Of Time And Memory.” This bold production, directed by Kii Arens and Jason Trucco and designed and developed by Darknet, re-imagines the classic music video in the context of a virtual art installation distinguished by horror, weird beauty, and surrealism, and pushes the boundaries of creative expression. More than that, Joshua Homme and the band’s commanding performance is simply not to be missed.

Tickets: HERE