Katt Williams returns to PNC Arena on Friday, April 4, 2014 with a brand new stand-up show that is selling out across the country – “Katt Williams: Growth Spurt.” The hilarious show features the critically acclaimed comic at his best and makes it clear that he is in no rush to slow down. Katt’s high-energy stage presence and fresh routine has left every audience cramping in their sides from laughter and rising to their feet with a standing ovation, begging for more.
Known to many for his breakout role in the MTV improv show, “Wild n’ Out,” and his widely recognized role as “Money Mike” in the hit movie “Friday After Next,” Williams already has several successful stand-up specials under his belt, such as “Kattpacalypse,” “Pimpin Pimpin,” and “The Pimp Chronicles.”
One of America’s most beloved comedians of all time Bill Cosby, whose comedy transcends age, gender and cultural barriers, is making a rare appearance at DPAC on Saturday, October 25, 2014. Cosby returns to DPAC in his new Comedy Central “Far From Finished Tour”, following multiple sellout performances on previous tours in 2009 and 2012.
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“Bill Cosby joins a short list of elite performers that have been to DPAC three times since our opening in 2008. It’s great to know that superstars like Cosby keep coming back, both because they love the atmosphere at DPAC and because Triangle audiences love to laugh. There is no better place to see great comedy than DPAC and this chance to present one of comedy’s legends is very special,” said Bob Klaus, GM of DPAC.
Perhaps Cosby’s greatest contribution to American entertainment and culture is The Cosby Show, about a close-knit, upper class black family. Cosby said his intent was to portray an American family. Time magazine called the show “an encouraging sign of maturity in matters of race.” The Cosby Show dominated the No. 1 spot for years, earning nearly unanimous critical praise. Life magazine described the program as “a gentle, whimsical, warmhearted” show whose “delicious ordinariness of its pleasures and tribulations has given millions a fresh, laughter-splashed perspective on their own domestic lives.”
MAS – You have been in comedy touring for around 20 years and have been to, easily, hundreds of cities and played in hundreds of venues. Looking back, which of your shows do you feel like is your crowning achievement to date?
Bruce Bruce – I don’t really know, I don’t think I have gotten to that point yet. All the shows I have ever done in any theater or in any club I have so much fun and all of my crowds are basically the same. Also, I always give 100% with whatever I do. So, I haven’t gotten to that theater yet where I think I achieve anything like that. I am still out there having fun.
MAS – On the other side of that, are there any shows that you have done that you wish you could do over again?
Bruce Bruce – Oh yeah, there are shows that I wish I could go do again. I have never had one that I can’t go back to, never had a bad show. But shows that I would like to do again, I would like to host BET Comic View again. The previous show that I did, I thought that it was very good and it was a very good year. I think we had over 2 million viewers, and that was pretty good.
MAS – What is there in your career that you would like to do that you haven’t already done?
Bruce Bruce – I would like to host my own TV talk-show. I would like to host a show like Johnny Carson. I think I could get anybody to do the show and I think I am a great person to interview them. I have the personality for it. That’s one thing I’d like to do. I’d like to have a long run like Jay Leno, who took over for Carson. I’d like to have a show like that. I’d like to have the desk, I’d like to have the whole setup, couch everything.
MAS – I forget which show it was that I was watching of yours, but I watched you go person to person lighting them up joking on them as they were walking to their seats during your set. Have you ever really pissed anybody off doing that?
Bruce Bruce – Yeah, I think I have pissed someone off but I have a way of making it up to them right there onstage. I don’t know how I do it, but I have seen people really get pissed and then said things to them and done some things to them in the midst of the show and they have forgotten about the whole entire thing. They are laughing and loving it, they are like “First, you pissed me off, but we really like you, you are really good.” By the way, when I do it, it is nothing degrading, nothing personal, nothing to intimidate you, it’s all in fun. If I see a big guy, I’m gonna talk about me and him. He’s gonna think the joke is on me and him, but it’s really on him. He doesn’t realize it, but that is how I do it, a maneuver that I do.
MAS – You have a huge library of material, like an encyclopedia Britannica of comedy to pull from. What can we expect from you?
Bruce Bruce – Definitely different, I have different stuff that I do. Also, I do a meet and greet after each show. I always have the, “Why didn’t you do that joke?” Some people really want to hear some of the old stuff, so a lot of time when I go out on stage I ask, “What do you want to hear?” because a lot of time people just want to hear the old stuff, I definitely have new stuff that is really, really good. The key thing is how my show goes…You go to a comedy show and you see the comedian and they give you a roller-coaster ride. One minute they are very funny and then they come down and then they go back up again and then they come down. I don’t do the roller-coaster ride, I pick you up and I leave you right there. That is my whole goal, I want to pick you up and leave you laughing right there. I don’t do the roller-coaster ride; that is not comfortable to me. I come do a great job, so I am going to pick you up and up.
MAS – I have talked to some of the more controversial comedy acts; Jim Norton, Tracey Morgan, etc. They are all not afraid to push the envelope in subject matter. In hearing your set, you talk about some of the same subjects; race, women, sex, etc. but with a completely different tone. What has pushed you to use that type of material and the tone that you use?
Bruce Bruce – Well, honestly… I think, once you have a person’s attention, once you get their attention you can just about sell them on anything. When you go to church, you go anywhere, you go to a seminar; once they have your attention; you have a tendency of listening. When I have people’s attention I think that is my outlet, especially with guys, to let them know about racism, and relationships; I do a lot on relationships. They need to know these things. A lot of guys, they don’t know, they think they know because they feel they are a grown man, “I’m a grown man now, I’m a big man,” a lot of time we just don’t know. Once I have their attention, I just lay it on them and it just comes natural for me.
MAS – You have been in this business for around 20 years…
Bruce Bruce – 24 years in 2014, I’ve been doing it for 24 years professionally.
MAS – That kind of experience makes you a subject matter expert; you are the man to ask. Let’s pretend I am an up-and-coming comedian, I want to be the next Bruce Bruce… How do I do it?
Bruce Bruce – The key thing is, you have to have a passion. I need to know if you have a passion for doing stand-up. If you do have a passion for it, be creative and use your own material. Don’t take bits a pieces of other people’s material. I can see you taking somebody’s style, but not their material. Use it to your advantage. It’s not hard to pick up a lot of material. I tell every young comedian, I go up to the mall and I sit and I watch people and that is how I gather my material. I learn things about the city, so when I come up on stage I’m gonna say something about the city that you think I don’t know anything about. It is about bringing creativity and being original and using your own material. Energy, you’ve got to have energy, but first and foremost, you’ve got to have the passion for it. If you have that passion, you can go to the top…
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Force Majeure is the most extensive comedy tour ever; launched in March of 2013, the tour will take Izzard to 25 countries on five continents. From Cardiff to Kathmandu and Moscow to Mumbai, Force Majeure will play throughout Europe, Africa, Russia, the U.K., Canada, the U.S., India, Nepal, The Far East and Australia. Izzard recently completed runs in France performing entirely in French and in Berlin performing entirely in German.
One of the most acclaimed comedians of his generation, Izzard’s unique, tangential, absurd, and surreal comic narratives are lauded for their creativity and wit, earning him a New York Drama Desk Award and two Emmys for Dress to Kill, two British Comedy Awards for Top Stand-Up Comedian, and an Olivier Award nomination for Outstanding Achievement.
In the U.S., Izzard is the first solo stand-up comedian to perform at the Hollywood Bowl, has sold-out three consecutive nights at Radio City Music Hall and toured arenas throughout the U.S. including a sold-out show at Madison Square Garden.
On TV, Izzard most recently guest starred in the series, Hannibal, on NBC. He starred in and served as a producer on the critically acclaimed FX Network Show, The Riches, opposite Minnie Driver, guest starred in the final season of Showtime’s United States of Tara, and his 2010 documentary, Believe: The Eddie Izzard Story, received an Emmy nomination.
His long list of film and stage credits includes Valkyrie opposite Tom Cruise, Steven Soderbergh’s Ocean’s Thirteen and Ocean’s Twelve opposite George Clooney and Brad Pitt, David Mamet’s Race and The Cryptogram, the title role in Marlowe’s Edward II, and A Day in the Death of Joe Egg in London and on Broadway which won him a handful of awards, including a Tony nomination for Best Actor.
Internationally renowned comedienne, Emmy-award-winning television talk-show host, Tony-award-nominated actress, and bestselling author Joan Rivers returns to DPAC on Saturday, November 8, 2014. Joan’s first DPAC appearance in September 2012 sold out, so don’t miss your chance to attend this intimate evening of outrageous stand-up with Joan Rivers.
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An entertainment legend of unparalleled talent, Joan was the first woman to break the glass ceiling of Late Night Television. After she was chosen to be the only permanent guest host on The Tonight Show for 3 years, she then went on to become the first woman ever to host her own late night talk show – The Late Show Starring Joan Rivers on the Fox Network.
After creating and hosting Live from the Red Carpet for the E! Network (1996-2004), Joan returned to anchor their popular and successful franchise Fashion Police, hosting both its hour-long weekly broadcasts and its awards-season specials. From hot new trends to red-carpet risks, Joan hilariously takes viewers through a recap of the week’s celebrity fashion and ultimately decides who sizzled and who fizzled.
Joan also dominates the world of reality television with her daughter, Melissa Rivers, in their weekly hit series on WEtv, Joan and Melissa: Joan Knows Best?. This inimitable duo addresses the question that has plagued daughters since the beginning of time: Does mother really know best?
Joan is also a vastly accomplished author, and her 11th book, I Hate Everyone.…Starting With Me, was published by the Penguin Group in June 2012. It instantly became a New York Times Bestseller. Prior to that, she wrote the other bestselling titles, Men Are Stupid and They Like Big Boobs: A Woman’s Guide to Beauty Through Plastic Surgery and Murder at the Academy Awards: A Red Carpet Murder Mystery, both published by Simon & Schuster.
In 2012, Joan recorded her live concert performance at the Arcada Theatre in St. Charles, Illinois for a comedy special entitled Don’t Start with Me, which premiered on Showtime in November and was released on DVD and iTunes in January 2013.
Despite being constantly in motion, Joan continues to work tirelessly on behalf of charities that are close to her heart: God’s Love We Deliver, The American Foundation for Suicide Prevention and Guide Dogs for the Blind. She also dedicates her time to the National Osteoporosis Foundation and Wounded Warriors, among other remarkable organizations.
Joan Rivers is a force of nature, one of the hardest working celebrities in the world. She has enjoyed an illustrious career spanning more than four decades in the entertainment industry and beyond, and as her recent accomplishments reveal, she’s as robust and hardworking as ever.
An entertainment legend of unparalleled accomplishment and talent, Joan is an internationally renowned comedienne, Emmy-award-winning television talk-show host, Tony-award-nominated actress, bestselling author, playwright, screenwriter, film director, columnist, lecturer, syndicated radio host, jewelry designer, cosmetic-company entrepreneur, and red-carpet fashion laureate. Her continued relevance is made clear by her growing group of more than 1.5 million followers on Twitter. Above all things, however, Joan is a proud mother and grandmother.
Joan Rivers is a true pioneer: She created her own brand of irreverent, unconventional comedy and forged her own remarkable rise to stardom in the entertainment world. Enduring tawdry clubs, Borscht Belt showrooms, and grimy Greenwich Village cabarets, her career skyrocketed in 1968 when she appeared on The Tonight Show Starring Johnny Carson. Within three years she was hosting That Show with Joan Rivers, one of the first syndicated daytime talk shows. She soon made television history as the permanent guest host of The Tonight Show and helped launch the nascent Fox Network in 1986 with The Late Show Starring Joan Rivers. In 1989, Joan triumphantly returned to daytime TV with The Joan Rivers Show, winning an Emmy Award for Outstanding Talk Show Host. Joan continues to dazzle live concert audiences in Atlantic City, Las Vegas and across the entire country.
Gary Owen is a fast rising star in comedy today. He has appeared in movies Think Like a Man, Ride Along and will reprise his role as Bennett in this summer’s Think Like a Man Too. He has appeared as a regular on Tyler Perry’sHouse of Payne. His comedy special Gary Owen: True Story is one of the most popular on Netflix. He has been a part of some of the best comedy tours going today and now he is coming to Raleigh.
Gary Owen is coming to Raleigh, along with the rest of the Top Shelf Comedy Tour, to the Duke Energy Center on January 31st.
MAS – For your show that is coming up, what kind of new material do you have in store for us?
Gary Owen – It is all new material, nothing that is on the internet. I just finished some of my new hour special back in November. Once you do an hour special you try to put that material to bed and you start working on a new album. The thing about it is nobody in Raleigh has seen it because the album isn’t out yet. So, it will be all new material that’s for sure.
MAS – How has the tour been for you? I know with all your work on TV and in film being on a tour like this has to be different, how is it going for you?
Gary Owen – The tour is actually a little easier than doing comedy clubs. It’s just one a night, you’re in and out. Usually we are doing two cities a week, it’s like you leave home Friday and you are back home Sunday. It gives you all week if you want to film something, if you are on a TV show or you’re filming a movie. It easier to work around your schedule; the tour is the easiest to me.
MAS – Putting the paycheck aside, what would you prefer to do the most; Movies, TV, Touring, Clubs?
Gary Owen – The comedy club is like your gym. That is where you work out all your new stuff, get your timing down, move a joke from the beginning to the end of your set to see where it goes. The big theater shows, like when I come to Raleigh; that’s our game day, like if you were an athlete. That’s when people are getting their hair done and they got their clothes in the cleaners; you know you gotta look good. You gotta give them a good performance because the probably paid a little more than they would in the comedy club. But you are also getting four headliners, instead of one. I think it all works hand-in-hand. One hand feeds the other. It is not like you like one better than the other it is just… With movies and TV, it builds your fan base a lot faster than hitting the road. That is really what, in the end, dictates how many people pay to see you.
MAS – I saw Think Like a Man and loved you in it, you were hilarious. When I saw that all you guys were back together to make Think Like a Man Too, I was like “cool”.
Gary Owen – The sequel, we filmed it all last summer in Vegas. I think it is coming out June 20, that’s the tentative release date. In the sequel, you get to meet my wife, finally. A lot of people have been asking about that. My wife is Wendi McLendon-Covey who is from Bridesmaids; she is on The Goldbergs right now. She also used to be on Reno! 911; that is who my wife is. Our chemistry, on set, is crazy; as a couple. You know, Bennett is kind of like the homebody and you wonder where he gets that from. It’s just funny to see… You are always curious to see what his home life is like, because he is always going home to his wife. You don’t really know what to expect. I don’t want to give too much away, but we are just a very funny couple.
MAS – In doing some looking at it on IMDB, I was scrolling through the cast list and it looks like this has quite the cast assembled. This could be one of those “sleeper” movies of the year.
Gary Owen – The thing about it is, if you get a summer release as a comedy the studio is thinking two things. Either they are very unhappy with it or they have huge expectations. For them to give us a summer release; that’s when all the blockbusters come out; they are expecting big things from the movie. I’m excited, I can’t wait. Every day we came on set you had no idea who was going to be there. There are some cast members that are not announced that I’m not allowed to say, they are under wraps.
MAS – I get that feeling, Ndamukong Suh, lineman from the Detroit Lions and running back Steven Jackson makes an appearance. That is a little interesting.
Gary Owen – There is a lot more of that, and not just in football. There is some huge entertainers, let me put it that way.
MAS – You have another movie out, Ride Along. Tell me about that one.
Gary Owen – Kevin is gonna get engaged to Ice Cube’s sister. Ice Cube goes, “You wanna be a cop, I’m gonna take you on a ride along”. It’s like a play on Training Day, with Denzel and Ethan Hawke. It’s like a comedic version of it. So he takes him on a ride along and shows him all these scenarios during the day. Basically, what happens is I have a grocery store held hostage and Ice Cube tells Kevin, “You need to go arrest this guy. This guy doesn’t have a gun, you can handle this one.” Kevin doesn’t handle me very well. To anybody that doesn’t like Kevin Hart, you are going to enjoy my character; I beat the shit out of him.
MAS – You know, comedy seems to go in cycles. Ten years ago, Chappelle was the thing, before that you had Jeff Foxworthy as the thing. Today, guys like Kevin Hart are becoming the thing. That cycle seems to keep comedy getting better and better and more dynamic. Do you think you would be as successful as you are now, 10-15 years ago?
Gary Owen – Here’s the thing about this business, you never know when your number gets called. Just have to be ready. That is what I tell comics, be ready. What I always tell up and coming comics, the best way to make it in this business as an up and coming comic is be on time for the show and do your time while you are that show. Which means, if you are scheduled to do 15 minutes, do 15. Don’t do 25 or 30, do 15. Then the other comics will be like, “Oh ok, you know, I wanna work with him. He does what he’s told.”
You had the Kings of Comedy there for a minute. It went from them to Mike Epps. You know Mike Epps has really sustained for the last 10 years. It kinda went Chappelle and then Katt for a second and then now it is Kevin, probably. You just never know. I’m being funny of course, but it’s like an email goes out to the country saying “this is who we’re going to go see now.” Some unknown email gets sent to everyone in the country, “Alright, this is the comic right now, this is who we are all going to go see.”
MAS – In your touring history, you have obviously been through North Carolina before. Where all have you been?
Gary Owen – I’ve been to Charlotte, to the BoJangles Arena. I’ve done that a few times. Me and Mike Epps were on tour last year, so we hit every major market. Raleigh, obviously I have done Charlie Goodnight’s numerous times. I’ve done all the colleges in Raleigh, every single one. I think I’ve done the two-year school; I’ve done some many schools in Raleigh. The Shaq tour came there a year and a half ago. I like Raleigh; I like it a lot. It’s a clean city.
MAS – As far as the crowds go from city to city how do your audiences change or are they pretty consistent everywhere you go.
Gary Owen – Well I make the joke that I have to be the only comic in the history of comedy that has to crossover into my own race. Black people know me; it’s the white people that are finally getting to know me now. It’s funny, at the airport or malls when black people see me and they ask for a picture, you see the white people going, “well who is it?”
MAS – That’s something else too about you that I think is truly funny. Watching your standup, I’m watching the audience go nuts laughing. Then they will do the camera shots of the one or two white guys in the audience that are afraid to laugh. They are like, “He can get away with, but can I get away with that?”
Gary Owen – I don’t think that it is they are afraid to laugh, I think they are in shock that the crowd is in such hysterics over a white dude. They are like, “I never thought I’d see this.” A lot of the time, if you look at the crowd, the white guys or white girls are looking at the audience members. They are like “Whoa!” It’s almost like seeing a Johnny Manziel play or seeing a white guy win a 100 meter dash at the Olympics. You are not expecting it, so when you see it you are like, “Whoa, did I just see that?”
It is changing, especially over the last year. A lot of it can be attributed to Think Like a Man and me being on Netflix. Now they are getting familiar with me. Now you are getting lots of people paying to see me and they don’t care who else is out there. In the past the black people were paying to see me and the white people might be coming just to see a comedy show just to go to get a night out.
MAS – Every comedian is good for a stinker or two during their careers, you haven’t had one yet. How have you kept you material at such a high quality?
Gary Owen – It’s odd; I don’t have a lot of joke jokes like with setups, middles and punchlines. A lot of them have just been stories about my life. Honestly, my act is my life on HGH and steroids. It is really my life; I am just adding stuff into it to be funnier.
That’s why it is always important to hit the comedy clubs because that’s where you really work out your material. There’s jokes like my Black and White Church joke, when I first wrote that joke it was a one-liner that I used on a Sunday night where I said, “Glad you guys made it out of church because I barely made it here.” The crowd went into hysterics and I was like ‘whoa, there is something here’. I took down a note that just said, “Black Church.” Let me keep working on this.
Something else about that joke in particular. People would want me to do that joke and I don’t really do it anymore. So what I did was, in my newest hour special, which we filmed back in November in Atlanta, I’m gonna open that special with the church skit. Like I really turned the joke into a skit now, it’s going to be me going into the black church; you see me reacting. I did it at a real black church and I hired real church members; I didn’t hire actors and actresses. It came out so funny; I can’t wait for everybody to see it.
MAS – I know it is a really old joke too, but your “Boy Bands” routine… It has the funny words, but then the physicality that you put into it just put it over the top. You would do very well in an improv type thing.
Gary Owen – A lot of times I do that. A lot of times when I am at The Improv or Funny Bones I will close my show and just say, “What do you guys want to talk about?” I’ll get jokes out of that as folks yell stuff out. It’ not me attacking the audience, it’s me having fun with them.
MAS – One of my buddies sent me a YouTube clip of you handling some heckler named “Dusty”…
Gary Owen – Aww crap, yeah!
There’s some backstory to that. I was getting ready to do the Late Late Show with Craig Ferguson. I live in Cincinnati, so I drove up to the Dayton Funny Bone because I wanted to work on my 5 minute set. It was open-mic night, so they were going to have me close the show.
So this guy, named Dusty, had heckled all the open-micers and they were getting ready to kick him out. I said, “Don’t kick him out, put me up next. Don’t kick him out, I’ll handle him.” So I was standing up for the young guys that couldn’t. So they put me up about half-way through the show instead of closing it and that’s when I just attacked the dude; he ended up leaving. They only showed about 5 minutes on YouTube, I went at him for about 45. He was done.
It’s funny, there was only about 100 people in Dayton Funny Bone that night but you would think there was thousands. I get it all the time, “Dude, I saw you handle Dusty” and I’m like, “No you didn’t there was like 100 people in the room that night.”
MAS – I admit, it was on YouTube for me because I don’t live anywhere near there… When you broke out “The Whistle” joke on him…
Gary Owen – <Laughing Hard> I don’t know where that came from. I hadn’t told that joke before and I haven’t old it since.
MAS – You were in the Navy and decided to pursue comedy afterwards. You won Funniest Black Comedian in San Diego. I think that is hilarious on its own. You were the one and only white guy to ever host BET’s Comic View. What do you attribute that crossover success to? It can’t just be because of being in an inter-racial relationship; I’ve done that and got nowhere near the level of acceptance you have.
Gary Owen – Dave Chappelle said it a long time ago that most comics start comedy because they have always wanted to do it, and they want to try it. Before you start thinking about it as a business or money. Another reason comics go into comedy is to pick up girls, you find out girls like you.
For some reason, I don’t know what it is, I always liked black girls. I don’t know why. I always say it was like being gay. Gay guys know they are gay but they don’t want to come out the closet because they are scared of the backlash they will get. It was the same way with me growing up. I was like, “I really find black girls attractive” but I don’t want to say anything because it wasn’t always cool.
The reason that I am accepted, and white, is because I am the same guy onstage and off. I’m not a character onstage; my pants aren’t sagging I’m not using black lingo to get the jokes across. When I first got on scene some black comics were kind of standoffish because they were like, “Let me see what he’s about.” Since then, I’ve been accepted in the black community, especially with black comics, because, “Ok, he’s being genuine with this stuff. He’s really married to a black girl; he really does have mixed kids.”
I think a lot of times when the only black comedy you know is the Apollo or Def Jam you don’t give black audiences enough credit. With me, I’m just myself and that’s all they have wanted. They don’t want you to be a character, just be yourself.
I think a lot of white comics don’t take that chance with black audiences; they don’t market themselves toward it. Just because of that fact, “I don’t want to get booed.”
His show is one long verbally articulated stream of comedic consciousness.
There are several different ways that you can approach comedy and be successful. We have all see performers that do hilarious impressions like Frank Caliendo. We have truly successful ventriloquists like Jeff Dunham. There is also the tried and true method of finding a societal subject or stereotype to focus in on like Jeff Foxworthy and so many others have done to create a routine.
One of the less often used methods to find a laugh is the style that is used by Myq Kaplan. When you listen to Myq perform, it is almost better if you are able to NOT laugh at his jokes. He delivers one-liner after one-liner in such fast succession; you will often miss a follow-up joke because you are still laughing a previous joke. I would describe his style as automatic rifle comedy; once the trigger is pulled you no longer have control of the number jokes you are going to get.
During our conversation, I tried to pin Myq down to learn how he developed his routine. What I got was very enlightening; from Myq, “Stylistically, in the beginning it was just a joke then another joke, a joke, see if it works, another joke see if it works. A few years later I had chunks of jokes that were still one line things. But now here were all the lines I had about being a vegetarian. Here are all the lines I have about certain movies, TV shows, books, relationships, sex, religion, or whatever; so, little topic chunks started forming.”
Every comedian has jokes that don’t always work, when Myq talked about his experience with dud jokes, he showed me how is used it to get better. “It is possible that it was out of insecurity, initially, that I wasn’t comfortable with the silence. It would often accompany a joke not working so, ‘Oh there is silence there; move on to the next joke, move on to the next one. When the jokes started working a lot I still had that ‘Oh that jokes over, move on to the next one’. I was packing more punch lines in the setups.”
As we continued to talk about his development Myq let me in on some not-so -secret, secrets of comedy as it relates to joke writing and connecting with the audience,“When most people start out doing comedy, if you know anything at all, you know that, probably, you are not good at it or are not going to be any good at it for a while… I never wanted to just write something that an audience would like, I wanted to write something that I enjoy and see what the audience likes.” He continued, “In the beginning it was more passive like ‘is this funny’ and then see if they said yes. Now it’s more, ‘this IS funny’. Over the course of time, I gained more confidence in some of the jokes by sheer volume. Some of them started working more than others.”
As Myq continues to talk, I learned that he really is machine-like with his comedy, “I don’t necessarily use that information to craft new things, but I get more confidence in myself and in those jokes in general and become a better performer. I can then go back and those jokes that didn’t work in the past, I do actually like them and now I am a better comedian and can use them better.”
Myq succinctly sums up his style in saying, “What I have done is not necessarily actively to pursue anything specific other than to talk about what I think is funny.”
This weekend, we have the opportunity to see this unique comedy style in person at Goodnight’s Comedy Club in Raleigh. Myq Kaplan will be performing a series of 4 shows on Friday and Saturday night. Be sure you take this chance to see a truly unique comedian.
One of the country’s premier comedians, Jay Leno has performed hundreds of comedy shows around the United States for the past 20-plus years. Experience America’s favorite TV personality when he comes to DPAC March 28, 2014 for an unforgettable night of stand-up.
Jay Leno – named America’s Favorite TV Personality in the 2009 Harris Poll – had been America’s late night leader for almost two decades before moving from late night to primetime in September 2009 and then returning to host “The Tonight Show with Jay Leno” in March 2010.
Jay served as the host of the Emmy®Award-winning and top-rated “The Tonight Show with Jay Leno” since 1992. His engaging manner enabled “The Tonight Show” to capture its time slot for a remarkable 15 consecutive years, while making the show one of the most valuable properties not just for NBC but in all of television.
Indeed, Jay’s “everyman” style and personality have helped him earn millions of fans worldwide, people who relate to his personable style and work ethic. He has been touted as one of the nicest people in show business and the hardest-working — a winning tandem for the man who says “Anyone can have a life – careers are hard to come by!”
This weekend Raleigh is being treated to a series of shows at Goodnight’s from funnyman Gary Gulman. Gary brings a comedic style that uses random aspects of everyday life to build material. He will have you laughing about items as mundane as grapefruit and as complex as the impact of the Old Testament on the Jews of today. Tickets are available HERE
MAS – In just a couple weeks you are going to be performing at Goodnight’s in Raleigh. A lot of you contemporaries like to make special requests, did you have any? Like maybe fresh cut grapefruit halves and Vanilla Ice playing in your dressing room?
Gary Gulman – {Laughs} No, I just want to get a check at the end of the week. That would be my only request. I like compensation for services rendered. No, I guess just a hotel with fresh sheets and flights were my only requests.
MAS – You are not like a lot of your contemporaries.
Gary Gulman – {Laughs} Yeah, as long as I can sleep and fly, I am okay.
MAS – I recently had the pleasure of talking with Natasha Leggero and she told me that she got into comedy due to not being loved enough by her parents. What sent you into the life of comedy?
Gary Gulman – {I would say that most of your comedians are going to have a lack of attention paid to them when they are growing up or somebody thinks that everything they say is brilliant and hilarious. Those are the two ends of the spectrum.
I fell in love early with the power that jokes and comedy had over other people. I would memorize the jokes that I heard on Saturday Night Live or on The Tonight Show or whatever stand-up comedy shows I watched. I would just memorize them and then the kids at school would really react. It was early on that I realized how powerful and how exciting it could be to get laughs off of people.
MAS – You are able to make generally random parts of life truly hilarious. For example, your bit on grapefruit had me rolling.
Gary Gulman – Wow! Really? Thank you. That is from a really long time ago, like maybe 2006. I always get requests for that at shows. I guess the origin of that probably was as a child being confused by the disparity of the fruit grape and the grapefruit. That was just something that I finally had the knowledge and the vocabulary to construct.
MAS – In general, with your jokes, are you just sitting around saying, “I haven’t heard a good Discman joke in a while, let me see what I can come up with?” How do you pick topics you make jokes about? They just seem to be random, but always funny.
Gary Gulman – I find that the longer you do it, if you see somebody with a Discman now that you do a double-take or things that occur in your life or are striking in the hypocrisy or the confusion or lack of common sense involved. Like the fact that they have those things on the side of the highway that tell us how fast we are going but there is not one that works equally as well inside the car, like in the dashboard. Those were the types of things that I was interested in at the time when I wrote them. Usually when I identify something as a subject I can talk about it onstage. 9 times out of 10 I can find something funny just by talking it out and then I will try to remember it for the next show. That is usually my method.
MAS – So there really is a certain degree of spontaneity to it?
Yeah, initially, then when I find humorous parts that really stick out or get a great response, then the next time I do it I have to make it seem like it is spontaneous. That becomes the real joke to it after a while.
MAS – In watching “Boyish Man”, I thought it was very funny, especially the bit on Hanukah. Most of my family is Catholic, but a big part is Jewish. We have those discussions over dinner at Thanksgiving. So that part hit home for me.
Later in that show you talked about the contributions of the Chinese. That also had me rolling, especially the handcuff joke.
In talking about Jews and Chinese, there are enough people in this world that have hypersensitivity and what I call the “PC disease”, has anyone ever approached you acting all offended by a joke you did?
Gary Gulman – Not those particular ones. I don’t specifically remember what I talk about with Hanukah. There are certain things that I talk about, like the overall treatment of my people in the Bible by God and our neighbors. I always say that The Old Testament could have easily been called, regarding God, “He’s Just Not That into You.” With God, we’ve been chosen, but he is just very hard on us. He might be trying to break up with us.
To me, that type of thing is light-hearted and fun. To my family it is sacrilege and blasphemous. So when I think about something like that, it is like, “Oh, this would really aggravate my older brother or really make my father uncomfortable.” There is a bit of mischief there and some risk at least in my family if my family was to hear these jokes. They would be furious, so it makes it a little more fun.
As far as the general public goes, I have not had too much trouble with people being offended. To me with comedy going further and further, I am considered tame.
MAS – I can’t think of anyone else that has a style like yours. Who influenced you? Where did you get your style from?
Gary Gulman – I was influenced later on by the comedic actor, Chris Elliott from the Letterman show and Life. I always loved that he was always great at playing people that were over confidant, arrogant, losers. I always admired that. I tried to take some of that confidence into my act. There is just a charm to that type of attitude that I have always loved.
The other thing, as comedians we really love words; the use of words, word play and vocabulary and stuff. So I am really influenced by a lot of authors and rapper and poets and people who are really into getting the most out of a sentence or a word.
MAS – You have appeared on just about every late night show that there is to appear on, been a part of many tours and performed at countless clubs. Is there any one particular show that you did that, looking back, you wished you didn’t? Sort of like Laurence Fishburne in Pee Wee’s Playhouse.
Gary Gulman – Last Comic Standing and Tourgasm were my most well know TV shows. They were forms of reality shows, so there were trade-offs. I would have rather gotten on TV doing something that was strictly my stand-up. So, there is a trade-off; some competitions, some contests and just stuff that had nothing to do with stand-up. You wish you could just do the stand-up but it was a fair trade-off as far as the fans I was able to make and the exposure of getting to play in front of as many as 18-20 thousand people at once. You can’t prepare for that unless you do it. That was very helpful, and I would not trade that for anything. I would have liked to have been able to hold onto a little more privacy.
MAS – I have checked out ”Conversations with Inanimate Objects”, “Boyish Man” and “No Can Defend” all of which were very funny and well worth the visit to Amazon. When can we expect to see a new album or maybe even a comedy special from you?
Gary Gulman – I was just talking to my manager about that. I am going to shoot for the spring to make a new special, which would make it two years from the last one. That is faster than a lot, but not as fast as say Louis C.K. or George Carlin who put them out every year. I’m trying to keep up with them, but it isn’t easy
MAS – Go for quality instead of quantity. George is an icon and a legend, but some of his stuff just wasn’t funny.
Gary Gulman – That reminds me of that Lenny Bruce quote, “I’m not a comedian, I’m Lenny Bruce.” George Carlin transcended stand-up he went into philosophy and social commentary. I guess I’m glad that the he put them out every year, but maybe if he had went every other year he would have been a different type of performer.
MAS – For the show that is coming up at Goodnights, what should we expect from you?
Gary Gulman – They won’t really see anything from my specials or my album. You know, I am close to recording a new special so everything will be new. If there is time at the end, I ask for requests from anything from an old album. It’ll be new, I’ve been touring so my skills are sharp and my brain is moving at a high rate. I was just down in Atlanta and had some really great shows. I will do about an hour or more and I really feel good about the shows I have been doing.
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