Photo Credit: Amarpaul Kalirai

Photo Credit: Amarpaul Kalirai

Tori Amos

Unrepentant Geraldines

Durham Performing Arts Center
August 20, 2014

Tori Amos is set to release her brand new studio album, Unrepentant Geraldines, May 13th in the U.S. on Mercury Classics/Universal Music Classics. Unrepentant Geraldines is pop/rock in both content and feel and is a change in pace from Amos’ most recent releases. The album is both one step further in the evolution of one of the most successful and influential artists of her generation, and a return to the inspiring and personal music that Amos is known for all around the world. Tori Amos will bring her Unrepentant Geraldines Tour to DPAC on August 20, 2014.

Tickets on:

Online at DPACnc.com

DPAC Ticket Center: 919.680.2787, 123 Vivian Street, Durham, NC

Ticketmaster.com / Ticketmaster Charge by phone at 800.745.3000

Unrepentant Geraldines is her 14th studio recording, and a return to her core identity as a creator of contemporary songs, following a series of more classically-inspired and innovative musical projects of the last four years. These have included the seasonal collection Midwinter Graces, the classically influenced Night of Hunters, and Gold Dust, a collection of orchestral re-workings of songs from across her career. Released in October 2012 Gold Dust included “Flavor,” which was remixed by the late DJ Peter Rauhofer and peaked at No. 1 on the Billboard Hot Club Dance Chart in February 2013.

Amos recently also launched her most ambitious project to date as a composer, along with book writer Samuel Adamson, with the musical The Light Princes, which premiered at London’s National Theatre in fall of 2013.

Tori Amos has sold over 12 million albums, has played over a thousand shows and has won numerous awards. Since the release of her debut album Little Earthquakes 21 years ago in 1992 where she pushed boundaries with her confessional style of songwriting, Amos continues to be adored, picking up new fans along the way, romanced by her messages of empowerment, tenderness, acerbic assertiveness, and of course her utterly peerless sound.

A pioneer across multiple platforms, Tori Amos was the first major label artist to offer a single for download. She has had her songs turned into graphic novels and has produced groundbreaking videos throughout her career. Ms. Amos is also a noted humanitarian and co-founder of RAINN (Rape, Abuse, and Incest National Network), which is the United States’ largest anti-sexual assault organization.

Darius-Rucker

Darius-Rucker-True-Believers-Album-Cover-CountryMusicRocks_net_

Crown Center

Fayetteville, NC

January 23, 2014

True Believers Tour
with Special Guests
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Eli Young Band
and
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Corey Smith

“This time, I really wanted to do something different,” says Darius Rucker. “I went straight from my first album into my second, and it really just picked up where the other one left off. So when we went into the studio on this one, we really wanted to take our time and not even start worrying about a record until we had songs that we felt were the right ones. And when I heard what would become the lead single, ‘True Believers,’ played back, I thought, ‘Wow, I’ve never done anything like that before!'”

“True Believers,” also the name of his 2013 headlining tour, is a triumphant reflection of the rewards and challenges of sustaining a marriage – was the first song recorded for this project and became the first single and title track for Rucker’s third and most ambitious country studio album. While his previous two albums, Learn To Live and Charleston, SC 1966 both topped the Billboard Country Album chart and produced five Number One singles, on True Believers he opted to dig deeper, work with new collaborators, and create something more resonant both musically and emotionally.

“I just started with a list of guys I wanted to write with,” says Rucker. “The process doesn’t really change – you go off in a corner and write – but I really wanted to try not to write ‘Alright’ again. And I’m very happy with what we got. I love the song choices, the sound is brighter, and even though I’m not big on listening to myself, I’m really proud of the vocals on this record.”

Tickets: HERE

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The best of Jethro Tull performed by

Ian Anderson

Featuring new album Homo Erraticus
Durham Performing Arts Center
October 4, 2014

Legendary progressive rock pioneer Ian Anderson will be releasing a new studio album Homo Erraticus this spring. The album continues the story of Anderson’s favorite enfant terrible from Thick As A Brick, Gerald Bostock.  Ian and his band (guitarist Florian Opahle, bassist David Goodier, keyboardist John O’Hara and drummer Scott Hammond) will be touring the United States with a stop at DPAC on October 4, 2014.

Tickets on sale:

Online at DPACnc.com

DPAC Ticket Center: 919.680.2787, 123 Vivian Street, Durham, NC

Ticketmaster.com / Ticketmaster Charge by phone at 800.745.3000

In 1972 Ian’s band Jethro Tull released the iconic concept album Thick As A Brick, based on a poem by the then-eight-year-old Gerald Bostock. As many fans wondered what might have befallen the character, Ian Anderson decided to explore the different paths Gerald’s life might have taken in his 2012 album, Thick As A Brick 2.

Following a forty-year political career, Gerald Bostock reunited with Anderson, taking the role of tour manager on a string of shows. Homo Erraticus marks Gerald’s return to songwriting, and is based on an unpublished manuscript by amateur historian Ernest T. Parritt (1865-1928).

Ian Anderson recently won The Prog God Award from Prog Magazine, celebrating the innovators of rock who have inspired generations and carved a way for others to be at their creative best. There is no one who has pushed the boundaries more than Ian Anderson, who to this day remains immersed in his love for the music.

Fronting seminal prog outfit Jethro Tull and performing simply under his own name, Ian Anderson has performed in more than 54 countries over 45 years; he is widely considered an icon of the genre and is recognized as the protagonist of the flute in rock music.  With over 60 million albums sold in its career, Tull has been characterized by Anderson’s trademark acoustic textures created with ethnic flutes and whistles together with acoustic guitar and the mandolin family of instruments. In many recent shows, Anderson has played with orchestras, string quartets and featured soloists. His eclectic acoustic performances are also a hit with fans of the progressive genre.

If Fox cancels Almost Human…

Posted: February 17, 2014 by MichaelSmithNC in All, TV

I might just have to riot.

Fox Is Airing Episodes of ALMOST HUMAN Out of Order?! http://zite.to/1kPvdSC

Todd-Glass

Bio courtesy Comedy Central

Solidly ensconced in the 30-40 demographic, comedian Todd Glass may now be considered ineligible to be labeled a wunderkind — but he certainly was one, having launched his career in comedy at age 16. Since that precocious start, the Philadelphia native has developed into a polished performer with a bent for inventive material that often mocks the conventions of standup.

Todd’s comedy is often satirical, sometimes irreverent but always funny. His television appearances are many, including performances on “The Sarah Silverman Show,” “Jimmy Kimmel Live,” “Late Night with Conan O?Brien,” “Showbiz Show with David Spade,” “Tough Crowd with Colin Quinn” and “Politically Incorrect.” With his unique delivery and divergent style of witticisms, Todd quickly becomes a host and viewer favorite.

This weekend Goodnight’s Comedy Club in Raleigh will play host to the nationally regarded funnyman, Todd Glass. You have seen him on all of the late night talk shows and on the occasional episode of Tosh.0. Todd will perform 5 shows starting Thursday and wrapping up Saturday night.

MAS – I recently took the opportunity to go on to Netflix and watch your comedy special. I was really impressed; I really like your comedic style. I have seen you on Tosh.0 and other stuff like that, but that is a little different. Where does your style come from, how did you develop that?

Todd Glass – I guess for everybody it is a little different. For me, I guess, the more you do comedy hopefully you start talking about things that mean something to you. It doesn’t have to be social or political, although it could be. It could be, also, anything that means something to you. It’s just something personal. Maybe that is the best way to put, something personal.  Personal has a wide array… it’s wide as to what personal means.

I always use the example of, because it helped me when I was starting comedy, Steve Martin. He talked about something personal, even though it was silliness. It was something that was personal to him, this very unique silliness. It wasn’t a formulaic generic silliness that he tapped into, it was something personal. I think that is where it comes from, hopefully.

MAS – You mentioned Steve Martin, what other comedians have you looked to for guidance, who has molded you?

Todd Glass – Indirectly, probably a lot of comedians. Mostly, the things is, comedians that I always say, make me want to punch somebody that is sitting next to me or punch a wall because you are laughing so hard. They are the ones I tend to… Over the years, whether it’s comedians in my generation… Legends, like Rodney or Don Rickles guys in sort of my camp whether it is Brian Regan… I’m a big Eddie Pepitone fan. I tend to watch guys that make me want to punch somebody because I am laughing so hard. Those are that guys that probably make you.

MAS – From your style of comedy, and from the material you used in your special, you are not afraid to tackle some of the more politically incorrect issues all for a little social commentary, if not satire. I have seen you do it in a way that isn’t necessarily family friendly, but also not your typical R Rated comedy. You seem to have found success in your shows with tackling these issues while keeping your show as clean as it is.

Todd Glass – I don’t give people anybody credit for being clean; I give people credit for being funny. So, it is probably just naturally what I talk about, but I never want to make it sound like, “That’s the best way to do it.” Obviously, it’s hard to be fucking hilarious whether it’s clean or what we perceive to be blue. We see a lot of comedians that use language, not at its best. But I’ve seen guys with not one curse in their act that use suck and blow and others. There are tools, there are clean tricks too; they are both offensive to me. I really don’t ever give anybody credit…

I give people credit for just finding a way to be unique and funny. If you give people extra credit, if you go, “and plus your clean and that’s the hardest.” No it’s not. You are sort of saying, “Richard Pryor and George Carlin are funny alright, but you gotta admit they took the easier path”; of course not!  It is sort of just who I am.

MAS – Let me put my question into better context. I have done several interviews with various comedians. I have interviewed comedians that actually bill themselves as family friendly comedy. I have also interviewed comedians that are the polar opposite to that. Both styles can lead one to being a very successful comedian. I am in no position to say who has it easier and who has it harder but, those two styles are so dramatically different you have to appreciate a comic that has chosen to do things that way. Why did they choose to do things that way?

Todd Glass – If they are a good comedian, they didn’t choose it. Maybe, it is just who they are. It’s like people that don’t do comedy, they might not choose to be who they are, but it is part of who they are. So I think it is just representing what makes them laugh, if you are doing it right. I think whenever you decide to please an audience, and give them what they want; it is probably a sure sign if you are not really enjoying yourself onstage.

It’s like if you were doing artwork and you were painting and I ask, “What do you do?”  You answer, “Well, I try to figure out what people like, and then I paint it.” Well, is that fun?

MAS – I am hearing that you like to do what pleases you and if somebody else finds it funny, great.

Todd Glass – I do want to make a living doing this, but I think the ultimate goal is go onstage each night and express what is in your heart and what you feel and at the same time you find an audience that appreciates it.

The Todd Glass Show – Podcast
Follow on Twitter @ToddGlass
Facebook Todd Glass Show

Coming Soon: Movies In Theatres This Week

Posted: February 17, 2014 by MichaelSmithNC in All, Movies, Trailers
Tags: , ,

Pompeii

3 Days to Kill

stephen_marley_1

StephenM_Album1

Greenfield Lake Amphitheater

Wilmington, NC

April 15, 2014

The second son of Bob Marley and Rita Marley, Stephen was born on April 20, 1972; he began his career as a precocious six-year old singing, dancing and playing percussion with his siblings in the group The Melody Makers whose first single “Children Playing In The Streets” was produced by their father in 1979 and released on Tuff Gong, the label founded by Bob in the late 60s. Just like his older brother Ziggy, Stephen acquired his initial studio skills by watching his father. While still a teenager he assisted in the production of The Melody Makers’ albums including their three Best Reggae Album Grammy winners “Conscious Party” (Virgin Records, 1989) “One Bright Day” (Virgin Records, 1990) and “Fallen Is Babylon” (Elektra Entertainment, 1998). In 1993 Ziggy and Stephen founded Ghetto Youths International as a means of controlling their own music and helping upcoming artists. Stephen’s earliest solo production efforts for Ghetto Youths International includes his late grandmother’s (Cedella Booker) album “My Altar”, followed in 1995 by the Ziggy Marley and The Melody Makers single “Works To Do” and younger brother Damian’s “10,000 Chariots”. Both singles hit the Jamaican charts and generated much excitement surrounding Stephen’s burgeoning production expertise.
In 1996 Damian released his debut album “Mr. Marley”, on the Ghetto Youths imprint, with distribution in the U.S. by Tuff Gong/Lightyear. Stephen played several instruments and wrote most of the songs in addition to producing “Mr. Marley”.

Tickets: HERE

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About Last Night

Rated R

for sexual content, language and brief drug use

Bernie and Danny are the best of friends, but total opposites in many ways. They have completely different takes on relationships and how to maneuver the complicated world of sex and dating. Joan and Debbie are roommates that appear to share the same dynamic as their counterparts, Danny and Bernie. Bernie and Joan meet at a bar an end up sharing a sexually torrid night that ends up being the first of many. When Bernie and Joan bring along their friends, Danny and Debbie, to meet on their first real date the two couples are formed and the two different styles of relationships are put on full display. Bernie and Joan antagonize each other, relentlessly. Danny and Debbie attempt to pursue the more traditional route of building a relationship.

About Last Night is the modern retelling of the 1986 film of the same name. Both movies are adaptations of the David Mamet play Sexual Perversity in Chicago. David Hart takes on the comedic role of Bernie while Michael Ealy plays the more serious Danny. Regina Hall is Hart’s hilarious counterpart as Joan with Joy Bryant rounding out the cast as Debbie.

Kevin Hart and Regina Hall are the backbone of this movie; their comedic chemistry is a joy to watch. Almost every scene with the two of them is pure comedic gold. While their relationship is not meant to be the centerpiece of the movie, Hart and Hall make their character’s story more than just added depth. As you watch Hart and Hall verbally abuse one another you can’t help but laugh and think about the couples you know that share those same characteristics. As the story progresses you find yourself hoping Bernie and Joan can find a way to make their dynamic work, just to be different.

Michael Ealy and Joy Bryant take on the polar opposite roles from Hart and Hall. The two of them take you on the ride that is building a meaningful relationship in the modern era. Danny and Debbie are honest and caring towards each other, both seeming to be willing to give whatever it takes to make their relationship a success. The story they tell is as emotional and as complicated as any real relationship would be. From their first meeting to their first relationship obstacles, their story keeps you guessing and looking for that issue that breaks them up.

The story is not a very complicated, or even unpredictable, instead it is very easy to follow and appreciate. The movie uses candid sexual encounters, funny supporting actors and even an interesting cameo to keep you on your toes. They even use a scene to redefine the term “chicken-head” in a way that makes you laugh out loud while also feeling very awkward having seen it.

As Valentine’s Day is here, About Last Night is a great choice to see if you are looking for a date night movie to share with a better half. The comedy is perfect, the emotion is real and the story is interesting. About Last Night is a well-done remake of another well-done movie and is very worth seeing.

Similar Viewing:

About Last Night…

RoboCop – Review

Posted: February 11, 2014 by MichaelSmithNC in All, Movie Review, Movies
Tags: , ,

robocop_poster_p_2013


RoboCop

Rated PG-13

For intense sequences of action including frenetic gun violence throughout, brief strong language, sensuality and some drug material

In the very near future, a mega-corporation, Omnicorp, has taken on the responsibility of protecting mankind by developing robotic answers to the most dangerous situations man can face. Their motives are by no means benevolent; they simply see an opportunity for profit and a market that will never dry up. Their mission to bring their robotic security forces to the police forces of the United States is faced with the obstacle of a public that fears emotionless robots roaming the streets. Omnicorp chooses to ease the minds of the public by merging man with machine to reap the benefits of a machine’s efficiency with a man’s conscience.

Robocop is a character/brand that was created nearly 30 years ago and made famous by director Paul Verhoeven and originally played by Peter Weller. When the first film was released in 1987 it was regarded as a success both critically and commercially. That original film would spawn two sequels, a comic book, video games, action figure lines, 2 animated television adaptations as well as 2 live action television adaptations. It became a truly lucrative brand that was able to endure for over 25 years.

Unlike the Hollywood of the 80s, Hollywood today does not seem to really have any inclination to develop any new ideas into successful films. Instead, the popular course s of action are to find a teen novel, comic book or established brand from days gone by to adapt or remake into feature films. RoboCop is the latest attempt by Hollywood to draw success from that well.

This incarnation of RoboCop is not a sequel to the original film series and it is not attached to any of the other parts of the RoboCop franchise. It is intended to reboot the once lucrative brand by using similar themes, a similar story and state of the art special effects to bring the movie to a whole new generation of fans while also reinvigorating the original core fan base.

The story is very similar to the one that was presented in 1978. A few changes were made to accentuate the family aspect of the man Alex Murphy. His wife and a son are more central to the story to add emphasis to the human side of RoboCop. Another change is in the portrayal of the company Omnicorp (OCP); it is not portrayed as being wholly corrupt or “inherently evil” as it was in the original series. But overall the story is the same; A Detroit cop is mortally wounded and would be dead if not for the scientists of Omnicorp who rebuild him into a crime fighting cyborg.

In this type of movie, the visuals are the key to it being watchable at any level. For the most part, the effects are very good if not excellent. I was only able to find one scene where they could be a little better; look out for the SWAT truck crashing into the ED 209 and you will see what I mean. The effects in the scenes of Murphy in his “human” capacity are striking as he is significantly more machine than man.

RoboCop as a character is very well done; he doesn’t look over-the-top or ridiculously fake by any stretch. He looked good both as prosthetics worn by Joel Kinnaman, who was chosen to portray Detective Alex Murphy, and as pure CGI. How many times have we all seen robo-characters that have prosthetics that look like they are out of a Power Rangers TV episode? The first time the visor drops down over Murphy’s face and that pistol comes out, you can’t help but smile with approval.

Also related to the effects, the sound effects are believable as well. The producers and director decided to not have RoboCop sound like the voice modulator in a Tandy 1000. Joel Kinnaman actually got to use his own voice unlike Peter Weller in the 1987 original. Also, the use of arbitrary “robot” sounds was kept to a minimum; I don’t need to hear every little motor and gear whine and turn as the movie goes on. The only opportunity for improvement with sound would be when RoboCop walks. His footsteps sound like he should be creating 2 inch impressions in concrete everywhere he goes.

As good as the effects are they would be nothing without some good actors to tie it all together. The casting for the movie was really well done as a whole. Gary Oldman as Dr. Norton was an excellent choice. Also, the casting of Michael Keaton as the “villain” was perfect; his portrayal of Sellars really allowed you to see all the layers that make up the Omnicorp CEO. The character of Pat Novak played by Samuel L Jackson does get a little old, but Sam manages to work in some of his trademark dialogue to help him get by.

Overall, I really did enjoy this movie. They didn’t screw with the story too much, the visuals and sound are good and the actors all seemed to fit into the roles they were playing. I am not saying to be ready for any type of award caliber stuff here. All I am saying is, if you go to the theatre and plop down $10 to see it, you should leave feeling okay about the decision.

Oh, and be ready for sequels….many!

Similar Viewing:

RoboCop (1987),  RoboCop 2, RoboCop 3

RoboCop

About Last Night

Endless Love

Winter’s Tale